Much Ado About D&T

We may be living in more modern times, but at present all is not well in the world of Design & Technology – it seems there is a spanner in the coursework….

Teachers are working through the new GCSEs in D&T and the ‘contexts’ for the so-called non examination coursework have just been announced by the Awarding Bodies. This part of the course is worth 50% of the final marks. Students are expected to make a study of the given broadly-defined, usually somewhat middle-class context  – eg ‘Going to the Seaside’ (Perhaps a title such as ‘Going to the Food Bank’ might be more familiar to some children and promote more designing for need than designing for consumerism?), and in doing so identify a suitable opportunity for design that they then proceed to resolve between now and the end of next March. Previously a number of more specific design tasks had been supplied by the Awarding Body, from which teachers often selected the one they considered most appropriate for their own students and their own expertise.

The other major change in the new exam specifications has been the welcome shift from the provision of material-specific courses (e.g., Textiles, Electronics) to a multi-material approach in which students are able to select the most appropriate to realise their designs.

So what’s the problem then?

Well in many schools there isn’t one, and everything is going according to plan. However, rather like the recent introduction of the new Northern rail timetables, a lot of the drivers, or rather teachers, have not been sufficiently trained to run the new courses. And at the same time the arrangements for the way in which teachers operate during the nearly year-long coursework Is the same as the way in which much shorter projects in more academic subjects are expected to be run.

As far as the student’s identification of a suitable problem is concerned, this is a process that they need to be well prepared for during the early stages of the course. While they might spot a suitable opportunity for design, what they are more likely to lack is the knowledge and awareness of their own capability needed to solve it within the time available. If they choose something too simple, too complicated and/or involves skills they do not have, and/or resources that are not easily available to them, then they are unlikely to achieve good marks on the subsequent aspects of their work throughout the rest of the course. Previously, choosing their own extended project was an expectation of A level students, supported by the advice of their teacher drawing on their previous experience in guiding others through similar tasks and their personal knowledge of the student’s capabilities.

Unfortunately some teachers are only just discovering that their students are relatively unprepared for this exercise, and have only experienced working on short-term projects with a prescribed and limited range of materials and components. There are also reports that in some schools, SMT’s have instructed D&T teachers to set a single identical task for all their students, even though they will lose marks as a result.

But it is the delivery of the coursework project that appears to be causing the most concern at this particular moment. The official rules indicate that from now until the end of the course next March, teachers are not allowed to teach, at least in terms of offering any specific personal guidance to candidates on their on-going work. Any such advice must be recorded on their work, and must be taken into account in the final assessment. While this might be appropriate for a much shorter project that carries less overall marks, it is absurd for an eleven-month project. It also puts teachers in a difficult position in deciding whether to offer and record advice, or indeed to invent ways of offering guidance non-specifically, and/or indeed not recording it.

At the same time, of course, there is nothing to stop candidates discussing their work with each other, or with other adults – just not their own teacher. And, while in school children may only work on their projects under strict supervision, they are then allowed to take them home to continue to develop their paper-work freely – although again there does appear to be some confusion over this.

There have also been suggestions that teachers are not allowed to share or discuss their pupils’ work or progress, or to share any ideas with each other. Thus while teachers may not produce or guide students towards specific resources to help guide them, there is nothing to stop non-teachers providing such resources for the students to discover for themselves as part of their investigation. And it hasn’t helped that the Awarding Bodies have each published slightly different rules, although teachers are encouraged to contact them for clarification.

To put it another way, students are being denied some 40 hours of teaching over the year, a substantial proportion of the whole two year course. Coursework should be a learning opportunity and experience – not just an extended assessment session.

So why isn’t everyone complaining about all this? Because at the same time teachers are being warned that if they do so it might be officially decided that the coursework project will be cancelled, which has already been the case with Information Technology. This would turn the assessment of an essentially practical subject into just another final written theoretical examination.

In many respects the new D&T GCSE is a great improvement on the previous one, but the problem of reliably assessing project work remains. It’s too late to resolve the situation regarding candidates entering the examination next summer, but clearly the situation regarding the coursework project needs urgent review.

D&T is currently the only established subject that teaches children creative open-ended problem-solving skills, and as such makes a major contribution to STEM. It is exactly these skills that are needed to help reinvigorate our ability to produce innovative manufactured products and systems that we can sell to the rest of the world. Yet entries to the examination of this once popular and thriving subject are currently in serious decline and an increasing number of schools are not even offering it at all to GCSE or A level. In some schools students are instead being entered for graphic or 3D options in GCSE in Art & Design, or for purely vocational courses.

As with all the new ‘more rigorous’ GCSEs, academically able D&T students will thrive, while the rest become even more alienated from an educational system that has little to offer them. That’s living in modern times for you…

 

 

Glibbly’s All Fool’s Gold Signature Collection

The other day Mr Glibbly was in fine form, cleverly avoiding questions about teachers’ pay and announcing what a wonderful thing the new GCSE’s ‘designed with employers in mind’ were (providing that is that they can understand the new numbering system):

“These more rigorous, gold-standard GCSEs are helping to nurture the next generation of scientists, linguists and historians. Whatever pupils want to do with their lives, these qualifications will prepare them for future success and help deliver the skills Britain needs to be fit for the future.”

All of which is indeed wonderful, assuming of course you are a student who wants to become a scientist, linguist or historian when you grow up, which quite a few don’t.

At the same time someone you’ve never heard of from the CBI, endorsed ‘today’s important focus on knowledge’, before helpfully adding ‘this partnership must also ensure we are prioritising teaching that encourages critical thinking, creativity, and teamwork’ – doubtless without realising that all of these things are completely ignored in Glibbly’s glistening All-Gold signature selection box of limited edition, academic-only GCSE subjects guaranteed to be completely free from Arts, and containing no soft-centred skills whatsoever.

Meanwhile All Change Please! can’t help but notice that many of today’s job specifications seem to require a rather different background skill-set to those acquired through a ‘knowledge-rich’ formative experience in our schools and leading universities.

For example, in one such recent and genuine job specification, for a one-year, fixed term contract, part-time position, paying around a pro-rata average London wage, only one of the desirable (as opposed to essential) criteria was knowledge-based, and that was a knowledge of HTML.

“You will be responsible for:

  • Further developing and leading our communications strategy in line with the organisation’s strategic aims, identifying audiences, messages, channels and methods of evaluation.
  • Planning and delivering effective and timely communications activity based on this strategy, building and maintaining a consistent brand.
  • Writing creative communications materials and content including: brochures and leaflets; blogs; learning materials; communications with key supporters, e.g. e-newsletters; innovative/creative materials e.g. animations/videos; media/press releases.
  • Designing and developing engaging online content that can be re-purposed across multiple channels.
  • Working with multiple stakeholders/partners to coordinate communications activities
  • Leading on media relations, proactively identifying news stories and ensuring that a consistent message is delivered.
  • Collaborating with and managing input from design and other agencies
  • Planning and implementing appropriate methods for evaluation of the communications strategy, and monitor and analyse the results.
  • Briefing or commissioning volunteers, freelancers and contractors when needed.
  • Managing part of the communications budget (and delivering value for money).

You should have experience in the following:

Essential

  • Proven ability to conceive, implement and evaluate successful and cost-effective communication strategies and activities (including an understanding of how to identify audiences, create appropriately differentiated content and use relevant channels).
  • Track record of writing and editing, preferably different types of writing for different publications and platforms (e.g. web, social media, e-newsletters, learning materials).
  • Ability to communicate clearly and effectively with a wide range of stakeholders, in person, online and in print.
  • Experience of assimilating complex information quickly, identifying the pertinent points and making them accessible for a wide range of audiences.
  • Well-developed interpersonal, advocacy and diplomacy skills.
    Experience of pitching stories to the media and responding to media enquiries.
  • Experience of commissioning freelancers (e.g. designers, web developers)/external agencies to carry out specific projects as part of a wider communications strategy, and managing those relationships.
  • Experience of managing social media accounts (twitter, facebook etc) and commissioning video.
  • Experience of sourcing images and print buying.
  • Capacity to work independently, problem-solve, handle multiple projects, and exercise good judgment in an organised and professional manner.
  • Experience in communications to support resource development/fundraising.

Desirable

  • Background in or demonstrable understanding of and passion for our mission.
  • Experience of managing/coordinating communications across partnerships
  • Experience of budget management.
  • Experience of Google Analytics
  • Knowledge of HTML (for when the CMS doesn’t quite do what you intend)
  • Experience of brand management
  • Understanding of web legislation and best practice.

Blimey! So where’s the bit about knowing everything there is to know about science, languages and history and being able to write essays? Surely at least part of the school curriculum urgently needs to start to prepare our children to become fluent in the workplace of the present, let alone the future?

Meanwhile Glibbly’s glistening All Gold EBacc curriculum collection needs some urgent re-branding. Perhaps re-naming it rather more accurately as Glibbly’s All Fool’s Gold Assortment – known for its superficial resemblance to qualifications that are actually worthwhile  – would be a good start?

 

Image credit: It’s not Terry’s, it’s Tristram’s…

Past Notes: The Artful Dodger

Minister In A State About School Standards Nick Glibb removes his fancy dress outfit to reveal his true identity as the Artful Dodger

 

So it’s 3 cheers for Nick Glibb then!

For Who?

For Glibb?

I somehow very much doubt it, but do go on…  Wait, AA Milne and Winnie the Pooh isn’t the intended cultural literary reference for this post. Oh well, I suppose I might as well feed you the next line …

Why, what did he do?

I thought you knew? He’s just announced loadsa money to help ensure the future of our creative industries…

Yes that’s apparently correct, and I suppose we should be very grateful that in the future there will now still be a plentiful supply of talented young artists, actors, musicians and dancers able to draw audiences to fill our expensive gallery exhibitions and theatre and opera seats that only he and other well-to-do Tory Party members can afford. So that’s the Tories for you – working for everyone to be able to continue to attend performances at the Donmar Theatre, the Barbican and the Chichester Festival…

I can tell you are going to need a lot of convincing, so could you just clarify the problem?

Well, it’s just that the money the Government is providing is going to go to promoting specialist ‘out-of’ or ‘after’ school opportunities for a minority of wannabe children to become talented performers. And in most cases this means the children of informed, well-to-do families where the parents probably already have some sort of background in the Arts and they have encouraged their off-spring to paint and sing and dance from an early age. As a result many less advantaged children are being denied the chance to discover in school that they might have a hidden talent.

Ah – I suspect there’s going to be some sort of Oliver Twist to this Dickens of a story then?

Indeed yes! The twist is that when he – or at least the Df-ingE – writes in a self-congratulatory manner ‘almost half of all pupils chose to take one arts GCSE last year…’, what perhaps should have been more honestly stated was ‘it’s an absolute disgrace that less than a half of all pupils chose to take a single arts GCSE last year and that figure is projected to fall further in the future...’

The facts that Nick Glibbly artfully dodges, or perhaps just chooses to ignore, include the benefit for all children in studying Arts subjects is to learn about the important things such as creativity, design, problem-solving, team-work and independent learning that are now essential work-place skills for everyone. And as well as taking such courses for their intrinsic value, the self-confidence generated by taking Arts subjects often also helps students improve in their academic subjects as well.

But what really gives the game away as to the extent of his ignorance of the content of the curriculum is in the limitation of his reference to music complementing maths, drama complementing English and the study of art complementing history: the Arts contribute far more than that, to all subjects.

So what could Glibbly have done instead?

If Glibbly really wanted to entitle, encourage and enable children from all backgrounds to benefit from studying the Arts the best thing he could have done would have been to remove the ridiculous Progress 8 accountability measure which uses the all-far-too-important League tables to penalise schools that allow students to take non-academic GCSEs. And what’s more, it wouldn’t cost the tax-payer a penny!

At the same time he could also aim to do something about the dwindling and now somewhat derisory amount of time that all Primary and Secondary schools devote to Arts subjects up to the age of 14.

Ah, I’m beginning to see what you mean. So really it’s essentially just a bit more political spin to help make us believe that the elitist Tory Party is Working for Everyone, when clearly it’s mainly working for itself…?

 

Meanwhile, thanks to a colourful black and white promotional video posted on Twitter by the Df-ingE, All Change Please! has uncovered extraordinary evidence that Nick Glibb is actually living in a 1940s time-warp, and is currently being played by Will Hay…

That’s Will Hay on the left, and Nick Glibb on the right. Or is it the other way round?

Do say:  That Glibbly bloke needs a good kick up the Arts

Don’t say: Thanks to that wonderful Mr Glibbly we will continue to be able to enjoy going to Glyndebourne for many years to come….

 

Image credits – Top: Wikimedia / Bottom: Df-ingE, and thanks to Susan Coles for spotting the likeness!

 

 

The long, sad story of Jannet and Jo Blogs

Once upon a time in a parallel universe, similar to our own but not quite the same, young Jannet and Jo Blogs worked in a widget factory, making widgets, as everyone was obliged to for a period of at least 13 years. The factory made seven different types of widget, and employees were expected to move around, so they didn’t spend all day making the same widget. The problem was, Jannet and Jo were not very good at making any of the widgets. Theirs always came out being too big or small or just not quite the right shape, the parts didn’t connect together properly and they spent far too long working on each one.

Every day it was the same. They tried their best, but each of the manufacturing supervisors of the seven different widgets just sighed and pointed out to them in detail the various ways in which the work they had done was unsatisfactory, by exactly how much, and the extent to which they had missed their production targets yet again, and were letting the reputation of the factory down.

This went on for six long years. It didn’t make it any easier that each year the factory demanded that the widgets they made became more and more complicated, which meant that they got further and further behind. Eventually the factory manager informed them that they had come to the end of their contracts and that he had arranged for them to be transferred to a different factory, and shook their hands and wished them every success for the future.

Jannet and Jo looked forward to being able to make a fresh start in a new factory, but they were disappointed to discover that there they was still being asked to make exactly the same seven widgets, which had now become even more difficult to master. And so, for another five years, their supervisors spent their days informing them how sub-standard their work was and how important and absolutely essential it was for them to improve in order to meet their targets, even though the work was quite beyond them. Meanwhile the other more productive workers often made fun of them as they were so useless.

At the end of the five years many of their much more successful fellow workers had their contracts renewed for another two years, but Jannet and Jo were re-located to yet another place of work where they were expected to spend a lot of their time trying to remake all the faulty widgets they had previously created, but no matter how hard they worked, they still just couldn’t get them right.

When they weren’t at their factory Jannet and Jo spent as much time as they could following their passion for medieval history. They loved reading and researching and cataloging artefacts from the past, and worked together as volunteer managers of the local Archaeological Trust where they successfully organised displays and outings. But of course all this had been frowned upon by their boss at work, because it didn’t help them in any way to make better widgets, which apparently was all that really mattered in life.

After a total of thirteen long, miserable years of failed widget-making, Jannet and Jo felt they had had enough and decided they never wanted to see another widget again. Lifelong widget-making was definitely not for them. They had became very depressed and just lounged about all day, unable to get another job because, quite wrongly, they thought that widget making was all they knew anything about, and that wasn’t very much. If you couldn’t make widgets, what could you do to get on in the world?

 

Of course Jannet and Jo’s sad story would never have happened in our universe, would it?

But here though, just as sadly, too many Janet and Johns go through much the same experience as Jannet and Jo during their thirteen long years in school, except their widgets are academic national curriculum subjects. Their struggle is with having to memorise excessive amounts of what they see as irrelevant subject knowledge and then being required to regurgitate it again in purely written form, isolated in the examination hall. But despite this their work is tested every day and their faults are identified and commented on by their teachers and ambitious new targets set that they have little chance of meeting. It’s not long before a sense of profound failure sets in, they start to lack confidence, and develop low self-esteem. At the end of eleven years of schooling, something like around half of all children who take the seven EBacc examinations will fail to achieve the expected five good pass ‘floor standard’ grades. And they will then have to stay on at school or go to college for another two years to try again, before many give up completely on education as being something that’s just not for them.

The shame is that if these children also had the opportunity to properly study a wider range of less-academic subjects while at school – such as the creative arts and applied technical and practical problem-solving that helped them develop the life-skills they need – they might just have discovered that they had many other different talents and abilities that they could have developed and excelled at. Of course at the same time these less-academic subjects also need to start to be seen by society – and importantly by politicians and the media – as being just as worthwhile educational experiences as learning everything there is to know about the theory of widget-making.

Meanwhile All Change Please! can’t help wondering if the politicians and media in Jannet and Jo’s parallel universe are any better than they are here on this Earth? By the sound of it, probably not…

Mr Glibbly uses the ‘S’ word

This is another All Change Please! story about the entirely fictional Mr Glibbly. The previous one can be found here.

As you know, Glibblys are well-known for the often thoughtless and superficial things they say in a smooth and slippery sort of way.

It was one of those delightful crisp, sunny winter mornings, but Mr Glibbly was not feeling very happy. He had not had a good week.

To begin with, the latest school league tables and lack of progress 8 statistics had been released. They showed that the number of under-performing schools had risen. That wasn’t good news, was it? The problem was that on no account could he admit that the reason for this was he had forced children to take EBacc subjects that were not at all appropriate for them.

Mr Glibbly had to think hard. Very hard. Then suddenly he had an idea! Instead he would announce in his usual glibbly sort of way how important and good it was that the number of children studying the important academic EBacc subjects had risen! Of course he didn’t mention that as a result more children had failed their exams. Sneaky Mr Glibbly…

Oh well – it could have been worse – at least he didn’t blame the teachers.

However it was what happened next that really upset Mr Glibbly.

“Soft skills are very important”, announced Mr Hindsight, very succinctly, and with great hindsight. Mr Damian Hindsight was the new Secretary in a State about Education, and therefore Mr Glibbly’s new boss. Apparently Mr Hindsight once went to a Grammar school himself and therefore knew everything there was to know about teaching and learning and running successful schools.

Poor Mr Glibbly. He nearly choked on his cornflakes when he read it in the morning paper over breakfast. ‘Holy Sk***!’ he cried out in horror.

Mr Glibbly was no softy. He didn’t approve of letting children learn any skills, and least of all easy-peasy soft skills. ‘Skills’ was not a word he felt at all comfortable using. He’d ban it altogether if he could.

Thanks to a book about some small-scale, unreliable educational research he’d once read, he knew without doubt that first children needed to master the learning of all the knowledge that exists in the entire world. Off by heart. And how to write long essays about it in the school hall on a long, hot summer’s day.

This made Mr Glibbly have to think hard yet again. Very, very hard this time.

After a while he came up with an idea, and he decided to hastily re-write part of the speech he was due to give the next day.

“…the best way to acquire skills is through gaining knowledge”, announced Mr Glibbly, rather glibbly. As was his way.

He wasn’t quite sure what this meant or how this actually worked, but it made him feel a lot better. And it made it sound like these sort of superior knowledge-related skills were completely different from those so-called ‘soft-skills’ or ’21st century skills’ that he so detested, probably because he didn’t have any himself.

Mr Glibbly breathed a great sigh of relief. “Phew! I’ve got away with it!” he thought to himself as he walked home that night. It was a long way, and he wished he had learned how to ride a bike as a youngster. Unfortunately though he could never quite manage to bring to mind all the theoretical physics and correct formulae involved, and so he had just kept falling over.

But then the very next day the excellent Laura McInerney, who is someone who really does know something about teaching and learning and running schools, published a ‘must read’ article that revealed and made considerable fun of exactly what he had done. What a silly Mr Glibbly she had made him look!

And now everyone is hoping that perhaps before too long, Mr Glibbly will be using his own knowledge-based skills to find himself a new job. And preferably one that has nothing at all to do with education.

It seems perhaps there might just be some benefit of Mr Hindsight? We shall see, won’t we?

 

Miss Piggy Gets The Chop

Miss Piggy, AKA Justine Greening

So. Farewell then Ms Piggy, former Secretary in a State about Education. It would seem that you had just begun to recognise what the real problems in education were and to sensibly listen to and discuss them with representatives of real teachers in real schools, teacher unions and subject associations.

But unfortunately that did not fit well with Tory Party policy – which is to aggressively promote reactionary propaganda that makes it sound as if they have completely expunged all this loony left-wing child-centred progressive nonsense and triumphantly replace it with good old-fashioned academic teacher-led, knowledge-recall grammar school-for-all poor and deserving children whether they want it or not. Strangely, at the same time, it seems they have completely forgotten to recall the fact that they have failed to recruit enough teachers willing to stand in front of a class and dutifully follow the scripted instructions on the provided lesson plans.

And full marks to Ms Piggy for actually quitting the government in response…

 

Of course the most important thing now is not so much exactly who is Damian Hinds, Ms Piggy’s replacement as Secretary in a State about Education, but what satirical name can All Change Please! manage to come up with for him? Until that issue is satisfactorily resolved we will just need to be content with the knowledge that he achieved a First Class Degree in Philosophy, Politics and Economics at Oxford, so obviously knows a lot about technical and vocational education, although to be fair, according to his website he spent 18 years working in the pub, brewing and hotel industries. Hmmm.

Even better, according to Wikipedia, is that education is at least among Parliament’s list of his political interests.

So that’s a good start then.

 

Image credit: Wikimedia

 

Tonight At Morning Break

 

Each Christmas All Change Please! attempts to write a post under the influence of a well-known literary work, such as last year’s Theresa in Wonderland, and before that George Osborne’s Twenty Fifty One, and of course not forgetting The Gove of Christmas Present.

This year’s inspiration is Tonight at Noon, written by the Liverpool poet Adrian Henri, and published in the 1967 ‘The Mersey Sound’ Penguin Modern Poets series. The title is itself taken from a 1964 album and track by Charles Mingus.

The basis of Henri’s poem is that each line presents a contradiction through a reversal of the truth, eg… “Elephants will tell each other human jokes” and, rather topically, “Politicians are elected to insane asylums”. But the final lines reveal his real intention – to express his hope that an equally unlikely event will occur: “You will tell me that you love me”. The full poem can be read here.

And now, All Change Please! is proud to present its own updated educational version…

Tonight at morning break

Tonight at morning break
Teachers will award politicians a 3% pay-cut
Tonight at morning break
Independent schools announce they will now only accept children who are eligible for free school meals
School children will hold Ofsted inspectors to account
Free schools will be charged under the Trades Descriptions act for not allowing children to be free to choose what and when they want to learn
Children will meet teachers and parents on cold winter evenings to discuss their progress as adults
And a portrait of Michael Gove will be hung upside down in the entrance to every school

Tonight at morning break
Children will shout at teachers to ‘sit down and be quiet!’ so that they can concentrate on learning from their smart phones and tablets
Teachers will stop marking exercise books with different coloured biros and start painting pictures in them instead
Every student in the country will achieve above-average GCSE results
Children will stop having to write in art, and start dancing their answers to maths problems
Students will learn that there is more to life than facts
And politicians will accept that educational research evidence is highly unreliable

Flipped lessons are taking place as children start teaching their teachers
Children are uniformly forced to wear their own choice of clothing to school
Teachers are teaching children instead of subjects
Students who fail all their GCSEs are found to be more employable than academics
School lunches are ranked against other countries according to their PIZZA scores
STEM is turning into STEAM
Russell Group universities are only accepting students named Russell
Nick Gibb is announcing his intention to resign as Secretary of State in order to join the BeeGees

              and
You will tell me that you love this post and share it widely on social media over Christmas
Tonight at morning break.

 

With thanks to the late Adrian Henri, and Alan and Duncan for a little help!

Welcome to the Hotel Russell Group

Hotel_Russell_on_Russell_Square,_London_-_April_2007.jpg

You can check out any time you like
But you can never leave!

All Change Please! has often wondered why the Russell Group of Universities is so-called? Formed in 1994, a nod to Bertrand Russell perhaps seemed more likely than a reference to Ken Russell, Russell Crowe or Russell Brand.

But the reality is that the name indirectly originates from Russell Square in central London, which, when it was created in 1804, was named after the family name of the Earl of Bedford. And then in 1898 ‘the latest of the sumptuous Hotel Palaces of Modern London‘, a large and palatial grand hotel was constructed on one side of the square, and named ‘The Hotel Russell’.

Now it so happens that in the early 1990s, All Change Please! itself used to make regular visits to the Hotel Russell. Passing by its impressive grand staircase one came to the public lounge which was well known as the favoured meeting place for publishers and academics from London University. At the same time, its position, right by Russell Square tube station and a short walk from Kings Cross, St Pancras and Euston, made it ideal for those travelling from other parts of the country. Although the refreshments were a little more expensive than those in McDonald’s (remember this was long before the advent of today’s coffee house chains), it was still much cheaper than hiring a meeting room, and the staff were happy to let you stay all day in exchange for some dainty lunchtime sandwiches or a memorable classic British afternoon tea. In winter there was a real roaring fire and for an hour or two it was possible to imagine oneself back in the elegance of the Edwardian era. That was until the management cottoned on, and eventually started asking silly prices for its refreshments that only over-rich and over-here Americans and Arabs would dream of paying.

Meanwhile, before you all rush there to check it out, be warned that it’s no longer there as it was – it has recently been completely refurbished and imaginatively renamed as The Principal London and redecorated in a post-modern mish-mash of historical styles, or ‘returned to its former glory’ as the hotel website likes to describe it.

And so it was that back in 1994 a group of 17 university academics and vice-principals from a long-lost era duly met up to enjoy a really nice cup of tea at The Russell Hotel and decided to create a super-group of universities, and, in the same way certain celebrities do, they named it after its place of conception. Perhaps surprisingly the Russell Group’s objectives were not to work together to impose an academic stranglehold the primary and secondary education system of every school in the country, but to:

  • lead the research efforts of the United Kingdom;
  • maximise the income of its member institutions;
  • attract the best staff and students to its member institutions;
  • create a regulatory environment in which it can achieve these objectives by reducing government interference; and
  • identify ways to co-operate to exploit the universities’ collaborative advantage.

But of course, like all good academics, they entirely failed to grasp and anticipate the potential practical implications of what they set out to do.

So, perhaps the time has come for the Russell Group to do what all good groups do which is to split up and then re-form and re-launch themselves under a new name. Perhaps they could once more take their name from the new owners of the refurbished Russell Hotel and call themselves ‘The Vice-Principal Group of Universities’?

1s-1280px-Russell_Hotel_Foyer_(953709385)-copy.jpg

There are more photos here: https://www.tripadvisor.co.uk/LocationPhotoDirectLink-g186338-d193051-i88395875-The_Principal_London-London_England.html

Top image credit: Photo by DAVID ILIFF. License: CC-BY-SA 3.0

Lower image credit: Jack1956

Art Failure at the MichaelGova School

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All Change Please! was interested to see that The Michaela ‘KNOWLEDGE IS POWER’ Community School was recently advertising for a new post in its Art Department: http://mcsbrent.co.uk/art-teacher-vacancy

Apparently:

“At KS3, pupils are taught the traditional techniques of drawing and painting and Art history. Lessons are ‘teacher-led’ as we believe it is the only way pupils can learn the appropriate skills to an expert level. Teachers show pupils exactly how to use each media in-depth step-by-step using the visualizer. There is no ‘guess work’ at Michaela. Pupils get to practice using the same media over and over again until the technique is mastered and perfected.”

“If you love art and know how to teach drawing, come and visit us at Michaela.  If you are in two minds, it is worth seeing what can be achieved in art when using our teaching methods.”

And it also states:

“We don’t offer lessons in ICT, DT..”

A full account of the Michaela guide to Mastery in Art and Music education can be found here.

But by yet another All Change Please! (Patent Applied For) Amazing Coincidence it seems that the nearby, and entirely fictitious, MichaelGova Community School is also recruiting further teaching staff for its Art Department. Somehow All Change Please! has exclusively managed to obtain a draft of the forthcoming press advertisement:

“At The MichaelGova ‘ABSOLUTE POWER CORRUPTS’ Community School, Art is about painting nice pictures over and over again until they look just like the work of great artists. We know everything about Art, but we don’t know what we like. An unkind visitor once upset some of our children by telling them that Art was about creating challenging new disruptive ideas, taking risks and being spontaneous and expressing oneself. He then spouted some mumbo-jumbo, snake-oil, neuromyth-nonsense that Art involved exploration, improvisation and messy experimentation in situations where there are no correct answers and that guessing and being intuitive were important in the real world. We asked him to leave the building immediately and never darken our doors again.

Pupils who in any way question what or how they are told to draw or paint are immediately isolated from other children and sent for a series of lunchtime re-progamming sessions in the Visualiser.

Meanwhile we take pride in refusing to teach our pupils anything about technology or problem-solving, knowing that they will be completely unprepared for life in the real, modern world. But as they will all become Oxbridge graduates unsuitable for any type of employment except for being a politician or a teacher in schools like ours, that won’t matter at all.

If you are in two minds about MichaelGova, please don’t apply. We only employ single-minded teachers.”

 

Let’s ask the Magic 8 Ball

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Yes, as unbelievable as Brexit sounds, today, the 28th October 2017, is All Change Please!s Magical Eighth birthday. And that means it’s time for All Change Please!’s surprisingly regular annual Review of the Year post…

To begin with, regular readers might have noticed that All Change Please! has been a lot less prolific than in previous years: instead of an average of posting once a fortnight, it’s been more like once a month. Except for February, April and May when seemingly absolutely nothing happened to inspire All Change Please! to take pen to paper, or rather finger to keyboard. However the world of education seemed to come back to life a bit more during September and October…

So what were All Change Please!‘s greatest number of hits of 2016-17?

1. The Blunders of Government

Way out ahead in the prestigious Number One ‘Top of the Posts’ spot was the runaway ‘The Blunders of Government’ which featured a dialogue between Sir Humphrey Appleby and a compendium of Education Secretaries from the past 7 years.

2. Theresa in Wonderland

Some way behind was All Change Please!’s Christmas special which identified the close connection between Mrs May and Alice, with Nigel Farage in the role of the Cheshire Cat, and The Queen of Hearts (deftly played by Angela Merkel) boasting that sometimes she believed as many as six impossible things before Brexit.

3. Problem still unsolved….

In which it was revealed that students place little value on creativity and problem-solving, largely because the schools they go to don’t either.

 

But as always, what appeals most to the bloglovin’ public rarely reflects All Change Please!’s own favourites of the year which included:

4. Fun-filled gender-fluid self curated personas at the Df-ingE 

Cool. No problem. Read again?

5. Pass Notes: What is GCSE Irritative Design.

Your cut-out and weep guide to D&T…

 

Meanwhile, All Change Please! got to wondering about who invented the Magic 8 Ball and when, and how it worked – and not for the first time managed to find everything it wanted to know on Wikipedia.

“The Magic 8-Ball is a toy used for fortune-telling or seeking advice, developed in the 1950s and manufactured by Mattel. It is often used in fiction, often for humor related to its giving accurate, inaccurate, or otherwise statistically improbable answers.

An 8-ball was used as a fortune-telling device in the 1940 Three Stooges short, You Nazty Spy!, and called a “magic ball”. While Magic 8-Ball did not exist in its current form until 1950, the functional component was invented by Albert C. Carter, inspired by a spirit writing device used by his mother, Mary, a Cincinnati clairvoyant.

The Magic 8-Ball is a hollow plastic sphere resembling an oversized, black-and-white 8-ball. Inside a cylindrical reservoir contains a white, plastic, icosahedron floating in alcohol dyed dark blue. Each of the die’s 20 faces has an affirmative, negative, or non-committal statement printed in raised letters. These messages are read through a window on the ball’s bottom.

To use the ball, it must be held with the window initially facing down. After “asking the ball” a yes-no question, the user then turns the ball so that the window faces up, setting in motion the liquid and die inside. When the die floats to the top and one face presses against the window, the raised letters displace the blue liquid to reveal the message as white letters on a blue background.

The 20 answers inside a standard Magic 8-Ball are:

It is certain

It is decidedly so

Without a doubt

Yes definitely

You may rely on it

As I see it, yes

Most likely

Outlook good

Yes

Signs point to yes

Reply hazy try again

Ask again later

Better not tell you now

Cannot predict now

Concentrate and ask again

Don’t count on it

My reply is no

My sources say no

Outlook not so good

Very doubtful

All of which leads All Change Please! to the inevitable conclusion that it’s Mrs May’s Magic 8 Ball which undoubtedly forms the basis of current government policy-making and Brexit negotiations…

If you have been…  keep watching this space!

 

 

Image credit:  Flickr/David Bergin