‘A’ is for…

The universe an absurdly weird place. And, when you start to think about it, one of the weirdest things in our universe are the schools where we prepare our children for their adult lives. And now they are about to get a whole lot more absurd as All Change Please! slips down a handy quantum-encrusted wormhole to discover an alternative, sometimes more enlightened but often just as weird parallel universe called Planet Urth.

This is the first in a series of posts entitled ‘All Change Please!’s Absolutely Absurd Alternative A to Z of Educashun’ in which it reports back on its recent visit to Planet Urth. Being a parallel universe, their world of teaching and learning bears a striking resemblance to our own: many things are exactly the same, but due to their particular fractured timeline, some things are rather different in an interesting way.

Be warned: you may never think of Education in the same way again….

ABC

On Planet Urth learning the ABC is one of the basic 2×4 red and white LEGO building bricks of education. In earlier times only the very wealthy who went to private schools could afford to learn the alphabet. It was eventually the introduction of mass-produced, widely available and affordable Alphabetti Spaghetti there in the 1930s that revolutionised teaching methods, although it was rejected by many teachers who preferred standing at the front of the class endlessly shouting it out while the children made notes.

Some children still find the order of the ABC difficult to learn and often ask their teacher why the letters are in that particular order. They mainly do this because they know the teacher doesn’t know the answer, which is that no-one really knows. The latest theory is that the letters were drawn at random in that order one day during an extended episode of Countdown.

The secret to the success of the alphabet is that because the letters are in a particular order it makes them easier to be taught to much larger classes through chanting. This avoids children claiming they knew all the letters but were just reciting them in the wrong order.

Academics

Academics cleverly called themselves a name beginning with an A in order to emphasise their importance by appearing early in the dictionary. An earlier suggestion on Planet Urth was that they should be called Aardvarks was narrowly rejected, which, when you think about it, was a bit of a shame.

For some inexplicable reason, everyone thinks they want to be an academic when they grow up, with little or no practical ability in the real world, other than to end up teaching the next generation of academics. A bit like the ‘product life cycle’, this is known as the ‘academic life-cycle’, which probably explains why so many academics ride around on bicycles.

Aesthetics

One of the weirdest ideas on Planet Urth is that some children are given a colourful cocktail of pleasurable aesthetic experiences so they won’t be conscious during an unpleasant practical procedure. General aesthetics are sometimes administered to help difficult students get through complex sessions so that they fall into an alternative state of consciousness and don’t disturb other learners. In shorter lessons a milder, more musical local aesthetic will often be sufficient.

Some schools run academic courses in the theory of aesthetics, but students in these classes tend to fall asleep very quickly of their own accord.

An Apple for Teacher

Some people, and especially those that are Daily Wail readers on Planet Urth, believe that the idea of giving your teacher an apple as a present originated when an apple dropped on the young Sir Issac Newton’s head and he took it into his teacher to explain what this thing called gravity was that he’d just invented. Today, in the more enlightened 21st Century, teachers often tell children that the fruit is not the sort of apple that is appropriate anymore and that they should be giving them an Apple iPhone instead. It is not known how successful this approach has been.

Out there on the internet there are, however, other much less believable theories as to the derivation of the idea: for example, the apple represents the ‘fruit of knowledge’ – the forbidden fruit unwittingly plucked by Eve and for which God put her in perpetual Detention.

Or perhaps it originated in the 19th Century American mid-west where families whose children attended schools were often responsible for housing and feeding their teachers, and who supplied them with apples as a token of appreciation? The Df-ingE has denied it has been considering a similar arrangement for funding education in post-Brexit Britain, but a spokesperson did remark that it seemed like ‘an interesting idea worth looking into’.

Art

Another of the more startlingly different ideas on Planet Urth is that having attended Art School is a pre-requisite for becoming a politician, so they really do have a real understanding of creativity and problem-solving and that Art involves a lot more than colouring things in, learning the names of famous artists and being able to produce skillful reproductions of well known paintings and then writing an essay about them. There everyone understands that Art isn’t just for thick kids who are good with their hands and who might benefit from a more relaxing therapeutic re-creational subject, instead of dragging down the results of a much more important academic subject.

Asking Questions

People on Planet Urth place much more importance on developing curiosity and enquiring mind. As a result schools place a great deal of emphasis on teaching children how to ask interesting questions that are often difficult to answer. In fact they all take a GCSE in which instead of writing answers to questions set by examiners, they have to write the questions themselves. They then need to outline how they would set about finding the answers, e.g., who would they ask and what sources they might refer to. Top marks are awarded for questions that are deemed to be of great significance and importance, and to which it is unlikely will ever be fully answered.

Meanwhile on Planet Earth the inhabitants are of course quick to point out that you can’t make any money just asking interesting questions all the time. Except you can if you become a member of the Quora Partner Program. The more people who view your question thread, the more you earn…

Assembly

In Roman times citizens used to gather round in the forum to listen to the great and the good make speeches. Today, while the rest of us receive the wisdom of our leaders though TV, Facebook and Twitter, sadly schools on both planets still attempt to keep the old ways alive by making children assemble in silence in regimented rows in the school hall once a day to hear the deputy head make a speech that no-one bothers to listen to because they know there isn’t going to be a test on it afterwards.

A funny thing happened on All Change Please!‘s way to a school assembly once, but that’s another story.

Assessment

Many people in education say that assessment is ‘the tail that wags the dog’. This might make sense if you attend the Barbara Woodhouse Academy for Young Puppies, but for everyone else it’s a load of bollocks. Dogs wag their tails when they are pleased or excited, not when they are sitting their GCSEs.

On Planet Urth dogs are only assessed when they are ready, and on what new tricks they have actually learned, rather than what academic knowledge some barking-mad, sly-dog politician thinks they should have learned.

Awe and wonder

At the turn of the 21st century, Ofsted expected schools to demonstrate that pupils were experiencing ‘awe and wonder’ during their lessons, or as one nameless maverick inspector on Planet Urth once wrote on his Evidence Form: ‘There was plenty of ore in the metalwork lessons, but the children’s attention soon began to wander…’

Tune in again soon for the next exciting installment of All Change Please!‘s Alternative A to Z of Education, which not unsurprisingly features the letter B

 

Image credits:  Image credits: Pixabay (all), except School Assembly:

Roman Forum (Wikimedia Commons)

Saint John’s School (Flickr Commons)

Mr Glibbly Does Mastermind

Mr Glibbly seems to have been very busy recently. First there was the statement he made about Music Education, in which he revealed how little he actually knew and understood about the subject. Then there were his remarks on the need to ban mobile phones in school, in which he revealed how little he actually knew and understood about the subject. And this week he spoke forth his words of wisdom about getting more girls to study STEM subjects, which, not really surprisingly, revealed how little he actually knew and understood about STEM.

So after last week’s wasted attempt to sit Mr Glibbly down with a nice cup of tea and explain the facts of life as about mobile phones to him, this week All Change Please! thought it would challenge him to a session of Mastermind. Here’s what happened…

Your name is:

Mr Glibbly

Your occupation is:

Secretary in a State about Education

And your chosen specialist subject this week is:

STEM.

Time starts now…

1. What is STEM?

Glibbly: That’s easy – it’s the knowedge-rich study of Science, Technology, Engineering and Mathematics subjects.

Incorrect. STEM is the practical study of the inter-relationship between Science, Technology, Engineering and Mathematics subjects. There’s not really any such thing as a STEM subject, just subjects that make a contribution to STEM.

2. What is STEAM?

Err. The stuff that comes out of kettles when the water gets hot?

No. The correct answer is the practical study of the inter-relationship between Science, Technology, Engineering, Arts and Mathematics subjects.

3. Has it ever occurred to you that including the Arts in STEM would help make it more attractive to many girls and provide a more balanced approach to future innovations in which human needs would be better matched to our technological capabilties?

Good Lord, No…

Yes, correct! It obviously hasn’t ever occurred to you.

4. What exactly are the ‘STEM skills’ to which you refer?

Learning more and more easily assessable knowledge and facts about Physics, Maths and Coding of course.

No. STEM skills are about things such as planning and organising, creative problem solving, working collaboratively in an inter-disciplinary way, and communicating information effectively.

5. Recent research published by the Df-ingE apparently shows that:

“15-year-old boys are more likely than girls to see STEM subjects as being useful when it comes to getting a job and that girls are less likely to consider a STEM subject as their favourite.”

Is it now government policy that in future boys should only be encouraged to choose useful subjects that will lead to a job, while girls should be free to choose whichever subjects they like doing best?

Well, err, no of course not.

Incorrect. Because that’s exactly what you just suggested it was.

6. You also said you were:

“funding programmes to increase the take up of maths, computing and physics”.

What are you going to do about Engineering, Technology and the other Sciences? In particular why is Design and Technology, which in many respects embodies the underlying inter-disciplinary nature of STEM, being completely ignored?

Err. Let me see. Wait, I know the answer to this one. Oh yes, that’s it: ‘We have reformed the school curriculum to make sure it meets the needs of employers.’

Are you having a laugh?

7. How do you justify calling on “teachers, parents and society in general to challenge and dispel misconceptions some girls have about Science, technology, engineering and mathematics (STEM) subjects”, when you don’t even understand what it is yourself?

Well, as I said a moment ago – ‘We have reformed the school curriculum to make sure it meets the needs of employers.’ And what’s more I’ve started, so I’m going to finish…

No. The correct answer is that you obviously are not able to justify doing so.

8. How well do you think you have done as Secretary in a State?

Err. Pass?

Incorrect. You scored just one mark, and therefore you’ve not passed, you’ve failed.

If you’d like to be a candidate on a future edition of Mastermind… don’t become a politician.

 

PS. Mr Glibbly – perhaps some of these downloadable STEM Role Model Posters that celebrate Women Innovators as illustrated by Women Artists might help?

Mr Glibbly plays all the wrong notes in the wrong order

The use of the word ‘Bollocks’ on the cover of the Sex Pistol’s 1978 infamous album is generally thought to be a negative reference to the so-called ‘progressive’ music of the time…

Overture
Mr Glibbly, the Df-ingE’s current Secretary in a State about the school curriculum, recently woke up one morning feeling kind of blue. He had been told that the Fabian Society Report criticising the lack of provision for Arts education in UK schools was about to be published. To help stave off his rather crotchety, downbeat feeling he opened a pack of quavers – his all-bar-none favourite breakfast – and to try and cheer himself up he turned on Classic FM. And that gave him an idea. On the very same day as the report came out he would triumphantly pitch his grand-piano sized plan to improve music education! News about all those special model ‘music by numbers’ lesson plans and music hubs would sound truly uplifting and strike a chord with everyone, and they would clap and cheer at the end and as a measure of its brilliance shout for an encore, quite deafening out anything the Fabian report might have to say. Mr Glibbly never misses a beat does he?

Next Mr Glibbly invited lots of important sounding professional musicians to work together to come up with exactly what should be taught in schools in order to do it ‘Mr Glibbly’s Way’. Sadly of course he accidentally on purpose forgot to include more than a couple of actual real teachers on the steering panel. If he had, perhaps they might have told him that there was a lot more to music in schools than learning how to read music and how to re-create and appreciate great pieces of classical music written by dead white men from the Western world.

The sound of music goes well beyond what appears to be Mr Glibbly’s understanding and knowledge of 17th and 18th century forms of music, let alone modern music education. Like most politicians, he quite wrongly assumed that what had been good for him would be good for everyone in the country.

First movement
Here’s a mix-tape mash-up of some of the things he said:

“My own love of music began in primary school almost by stealth. As we all filed into assembly there’d be a piece of classical music playing in the background: Benjamin Britten’s The Young Person’s Guide to the Orchestra; Saint Saëns’s Carnival of the Animals; Prokofiev’s Peter and the Wolf.”

“Singing in the St Edmund’s Parish Church Choir in Roundhay, Leeds, gave me a lasting love for choral music. The delight I still feel today when I listen to ‘Zadok the Priest’ or Allegri’s ‘Miserere’ can be traced back to my schooldays.”

“We want to make sure their lessons are of the very highest quality and pupils leave school having experienced an excellent music education so those who wish to do so can take up opportunities to pursue musical careers.”

“This new model curriculum and the new money for our successful music hubs will make sure the next generation of Adeles, Nigel Kennedys and Alex Turners have all the support they need in school.”

“As well as ensuring all pupils can benefit from knowledge rich and diverse lessons, it is hoped that the curriculum will make it for easier for teachers to plan lessons and help to reduce workload.”

But music education is about so much more than knowledge of the classical repertoire and being able to sight-read music. It’s just a pity Mr Glibbly doesn’t believe you can learn anything useful from Wikipedia, because if he did he might have discovered that:

“Music is an art form and cultural activity whose medium is sound organized in time. General definitions of music include common elements such as pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the “colour” of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements.”

Music and Meaning
Music is a reflection and statement of contemporary cultural values, not just those of the past. Meanwhile it’s important for children to learn that music has different meanings to different people in different situations, and that playing and listening preferences often serve to reinforce social status and belief systems while at the same time representing a rejection of alternative points of view. Which is of course exactly what Mr Glibbly is trying to do at a time when, according to recent research, more than two-thirds of young people are already active musicians, singing, playing an instrument or making music on a computer – mainly outside school, and therefore his control.

Music and Motivation
Mr Glibbly seems to want everybody to be able to read music, play a ‘proper’ musical instrument and become a member of an orchestra: but just because people can read the Daily Mail out loud, it doesn’t mean that they are all going to want to become creative writers. To appeal to and motivate the majority of young people, modern music education needs to be relevant to music they are listening to, otherwise they are likely to switch off faster than they can say ‘Alexa, play something different’.

Music and The Arts
Meanwhile perhaps if Mr Glibbly had taken his fingers out of his ears and opened his eyes for long enough to hear and see what was been happening during the 20th Century he might have noticed that in an increasing number of works, music has moved away from being a single discipline: dance, drama, design, fashion, performance art, film and television are now created with close reference to each other. Mr Glibbly doesn’t seem to have got as far as Modernism yet, let alone Post-modernism.

Music and Technology
And something else that seems to be missing in the space between Mr Glibbly’s ears is the fact that a good understanding of and a capability and confidence in the use of digital technologies in one’s area of expertise is now essential, as it is in just about everything these days, and particularly in music where it has been particularly disruptive during the past 20 or so years. It is not acceptable for traditional educators to avoid their obligations and responsibility and, as they often do, use the excuse that children know more about the new technology than they do, so they will leave it to them to teach themselves.

Yet learning about music technology is not mentioned anywhere in Glibbly’s model world. Indeed he reveals his own lack of understanding of contemporary music technology when he writes:

“Forget Spotify: I want every child to leave primary school able to read music.”

Doesn’t he know that there is plenty of classical music on Spotify, and that the service enables users to explore and access a wider range of music than ever before in order to discover what they do and don’t like? And anyway why should listening to Spotify prevent any child from learning to read music?

Of course, at the same time new technology enables the creation of music without the need to be able to read formal notation in a way that is far more likely to encourage children to want to learn more about the academic theory of classical music. The opportunities for children to develop their creativity, confidence and self-esteem through experimentation, composing, performing and recording their own music, rather than failing to match the standards of professional classical musicians, have never been greater.

Coda
And last, but by no means least, is the purpose really to create a new generation of ‘Adeles, Nigel Kennedys and Alex Turners’? These people will emerge whether or not they learn to read music in school: music education needs to meet everyone’s needs.

The Sex Pistols sang ‘Don’t know what I want but I know how to get it’:  Mr Glibbly clearly does know what he wants, but fortunately it seems he doesn’t know how to get it: his new model scheme, unlike the music national curriculum, will not be compulsory. And, if every child is to learn how to read music – not just those attending the special music hubs – then there’s the little matter of finding the money to pay for all those music teachers

Whatever, one thing is clear – Mr Glibbly’s plan is certainly not the Very Model Of A Modern Music Curriculum…

“Music is your own experience, your thoughts, your wisdom. If you don’t live it, it won’t come out of your horn.” (Charlie Parker)

“If this word ‘music’ is sacred and reserved for eighteenth and nineteenth century instruments, we can substitute a more meaningful term: organization of sound.” (John Cage)

Encore

Eric Morecambe with Andre Preview ‘playing all the right notes but not necessarily in the right order’.

 

Mr Glibbly’s Square World

Mr Glibbly just keeps on trying to force a square peg into a round hole…

New information has recently emerged that helps confirm that Mr Glibbly comes from a strange, square-shaped planet called Glibblyworld.

One day, just before Christmas, Mr Glibbly was giving evidence to a Digital, Culture, Media and Sport Select Committee. They asked him very difficult questions about the falling numbers of students taking an Arts GCSE and there being not enough Arts teachers in schools. But Mr Glibbly had cleverly anticipated this question and had thought up a very good answer. So he replied in his usual glibb manner by saying that of course he wanted the number of Arts GCSE entries to go up. And then, getting straight to the point, he helpfully explained what the problem was, or rather wasn’t:

‘We want more young people to be taking music to GCSE and to A Level and the way to do that is to improve the curriculum in music and the arts leading up to GCSE so they are well equipped and motivated to take those subjects.’

On Glibblyworld it seems that the fall of entries for GCSE courses in the Arts isn’t anything to with the compulsory EBacc subjects leaving hardly any other GCSE course options left for children to choose. Because apparently the thing is, well you see, as everyone knows, the Arts are just not subjects pupils enjoy doing, as obviously their content just doesn’t appeal to them enough. Doubtless all this would change if the Arts became more academic and involved more writing and less practical work, which would be restricted to more regular and easily assessable geometric drawing, square dancing and learning long straight lines for the Shakespearean school play. After all, argued Mr Glibbly, children are only really interested in sitting still in silence and absorbing copious amounts of knowledge because they intuitively know they won’t be able to express themselves or be creative in any way until they have got as far as finishing their degree.

It sounded so obvious when he had thought about it, and Mr Glibbly was surprised no one else had realised it before.

All this serves to confirm what has long been suspected: that Mr Glibbly comes from a different planet from the rest of us – one where there are no curves, just right angles. On the Square World of Planet Glibbly everything and everyone are square, which makes them rather boring. ‘Squares’ are law-abiding and predictable people who find dealing with change difficult. They are often regarded as dull, rigidly conventional, and out of touch with current trends. Yes, that sounds quite a lot like Mr Glibbly, doesn’t it?

Back in the early 1960s, a time which Squaries often dream of returning to, it wasn’t at all cool to be square. There was even a TV comedy series called ‘It’s A Square World’, presented by Michael Bentine who was once a member of the Goons. As well as fake news reports from the eight corners of the world, the programme’s speciality was models that came to life. Famous routines included a flea circus, an expedition which discovers the source of the Thames is a dripping tap which was then turned of causing the river to dry up, sending the BBC Television Centre into orbit with Patrick Moore, and the reconstruction of the sinking of the Woolwich Ferry, even though it had never really sunk.

 

If Mr Glibbly watched the programme as a boy, he probably didn’t enjoy it very much as it rather challenged the establishment he was so fond of, and anyway it was all just a bit too silly for his liking. He was always far happier sitting quietly in a nice safe corner trying to solve his Rubics Cube puzzle, that is when he wasn’t playing Square Leg on the cricket field.

Poor Mr Glibbly. He’s still trying to force the square shape through the round hole. Perhaps we need to help return him to Planet Glibbly? As quickly as we possibly can.

 

Top image credit

Number 9

It seems like it was only this time last year when All Change Please! was celebrating its 8th birthday, but today it is 9 years old, and as traditional, this is the review of the best of last year’s posts.

First to announce the winners of the highly prestigious ‘most viewed posts’ of the last twelve months. In highly appropriate GCSE reverse order they were….

3. School Island

‘A group of children who don’t know each other are isolated in a secondary school for five years. In this unreal situation they are not allowed access to mobile phones or gain any other information about what is currently happening in the outside world.’

2. Glibbly’s All Fool’s Gold Signature Collection

‘Meanwhile Glibbly’s glistening All Gold EBacc curriculum collection needs some urgent re-branding. Perhaps re-naming it rather more accurately as Glibbly’s All Fool’s Gold Assortment – known for its superficial resemblance to qualifications that are actually worthwhile – would be a good start?’

And the winner is…..

Wait for it….

1. Art Failure at the MichaelGova School

‘But by yet another All Change Please! (Patent Applied For) Amazing Coincidence it seems that the nearby, and entirely fictitious, MichaelGova Community School is also recruiting further teaching staff for its Art Department. Somehow All Change Please! has exclusively managed to obtain a draft of the forthcoming press advertisement’

Then, as usual, in no particular order, here’s All Change Please!’s selection of its own three favourite posts:

Playing the GCSE Numbers racket

‘We never expected him to do that well, especially as his teachers kept saying how unsatisfactory his work was, and that he wouldn’t get his E back. Mind you I wasn’t surprised they had confiscated it – I kept telling him not to take drugs into school – but I expect his teachers needed it themselves.”

Tonight at Morning Break

“Independent schools announce they will now only accept children who are eligible for free school meals
School children will hold Ofsted inspectors to account
Children will meet teachers and parents on cold winter evenings to discuss their progress as adults
And a portrait of Michael Gove will be hung upside down in the entrance to every school…”

Is Nick Glibbly Having A Laugh?

‘This Christmas Nick Glibbly is appearing in Pantomime at the Df-ingE, where he will play the comedy role of Michael Gove. He has also been nominated for a Derrière Comedy Award at next year’s Edinburgh Festival in the ‘Least Likely Politician To Succeed In A New Career As A Comedian’ category.’

 

Meanwhile, in a far distant galaxy sometime in the not-so-near future that has nothing whatsoever to do with formal education, All Change Please! has recently found itself writing some very different sorts of posts, contributing to a blog site analysing the Beatles’ ‘White’ album, prior to the 50th anniversary of its release in November 1968. If you weren’t there then, or were and don’t remember it, there was definitely something in the air – a real sense of hope that things were starting to change. It was a time of revolution and riot, well at least it was if you were a University student – the rest of the country read about it in their newspapers or watched it in the comfort of their homes on their black and white TVs.

Today the Beatles’ double album is still a remarkable achievement, showcasing the band at the height of its musical creativity, experimenting with the new technology to discover new ways of creating music that matched their subversive multi-layered lyrics. The extraordinary ‘Revolution 9’, which featured a repeated voice saying ‘Number 9’, was strongly influenced by modern classical composer Karlheinz Stockhausen. It was an eight minute collage of sound recordings that today would not stand a snowball’s chance in hell of being included on the latest album of a best-selling, chart-topping globally successful group. As such it is almost certainly the best-selling piece of ‘avant-garde’ music of all time, even if most people tended to skip it after the first listen!

Meanwhile, 50 years later, All Change Please! is still waiting for Revolution Number 1 to start happening in the current education system. It guesses it will just probably have to wait another year…

Image credit: Ian Melbourne93

Stripping down STEM

All Change Please! is getting all STEAMed up about the latest government announcement…

Most of us would agree that for the U.K. to survive in an apocalyptic Hard Brexitland future we are going to need considerable expertise in technology and engineering in order to create innovative new products and services to sell to the world. That is, of course, everyone except for the D well and truly f-ing E.

STEM, as all All Change Please! readers will be familiar with, is an acronym for the study of Science, Technology, Engineering and Mathematics. Meanwhile All Change Please! has also long been a supporter of the campaign for the acronym to become STEAM, with the A representing The Arts which are required to enable students to develop skills of creativity and to acquire an understanding of human psychological and emotional needs.

While the US seems to grasp the concept that STEM, or STEAM, involves the necessary study of the relationships between the component subjects involved, here in the U.K. we have consistently mis-understood it simply as the isolated study of the separate academic subjects involved. And, given that Design & Technology typically plays no part in STEM, many of us have often wondered where the missing Technology and Engineering subjects are?

Well at least now we know. According to yesterday’s D no f-ing clue whatsoever about Education announcement:


So if there is no Technology or Engineering in STEM, that leaves us with just Science and Mathematics. Thus, to ensure the government cannot be accused of misleading the country, can we now look forward to the STEM initiative being more accurately renamed as S&M?

All Change Please! can’t wait for the newspaper headlines:

 

Past Notes: The Artful Dodger

Minister In A State About School Standards Nick Glibb removes his fancy dress outfit to reveal his true identity as the Artful Dodger

 

So it’s 3 cheers for Nick Glibb then!

For Who?

For Glibb?

I somehow very much doubt it, but do go on…  Wait, AA Milne and Winnie the Pooh isn’t the intended cultural literary reference for this post. Oh well, I suppose I might as well feed you the next line …

Why, what did he do?

I thought you knew? He’s just announced loadsa money to help ensure the future of our creative industries…

Yes that’s apparently correct, and I suppose we should be very grateful that in the future there will now still be a plentiful supply of talented young artists, actors, musicians and dancers able to draw audiences to fill our expensive gallery exhibitions and theatre and opera seats that only he and other well-to-do Tory Party members can afford. So that’s the Tories for you – working for everyone to be able to continue to attend performances at the Donmar Theatre, the Barbican and the Chichester Festival…

I can tell you are going to need a lot of convincing, so could you just clarify the problem?

Well, it’s just that the money the Government is providing is going to go to promoting specialist ‘out-of’ or ‘after’ school opportunities for a minority of wannabe children to become talented performers. And in most cases this means the children of informed, well-to-do families where the parents probably already have some sort of background in the Arts and they have encouraged their off-spring to paint and sing and dance from an early age. As a result many less advantaged children are being denied the chance to discover in school that they might have a hidden talent.

Ah – I suspect there’s going to be some sort of Oliver Twist to this Dickens of a story then?

Indeed yes! The twist is that when he – or at least the Df-ingE – writes in a self-congratulatory manner ‘almost half of all pupils chose to take one arts GCSE last year…’, what perhaps should have been more honestly stated was ‘it’s an absolute disgrace that less than a half of all pupils chose to take a single arts GCSE last year and that figure is projected to fall further in the future...’

The facts that Nick Glibbly artfully dodges, or perhaps just chooses to ignore, include the benefit for all children in studying Arts subjects is to learn about the important things such as creativity, design, problem-solving, team-work and independent learning that are now essential work-place skills for everyone. And as well as taking such courses for their intrinsic value, the self-confidence generated by taking Arts subjects often also helps students improve in their academic subjects as well.

But what really gives the game away as to the extent of his ignorance of the content of the curriculum is in the limitation of his reference to music complementing maths, drama complementing English and the study of art complementing history: the Arts contribute far more than that, to all subjects.

So what could Glibbly have done instead?

If Glibbly really wanted to entitle, encourage and enable children from all backgrounds to benefit from studying the Arts the best thing he could have done would have been to remove the ridiculous Progress 8 accountability measure which uses the all-far-too-important League tables to penalise schools that allow students to take non-academic GCSEs. And what’s more, it wouldn’t cost the tax-payer a penny!

At the same time he could also aim to do something about the dwindling and now somewhat derisory amount of time that all Primary and Secondary schools devote to Arts subjects up to the age of 14.

Ah, I’m beginning to see what you mean. So really it’s essentially just a bit more political spin to help make us believe that the elitist Tory Party is Working for Everyone, when clearly it’s mainly working for itself…?

 

Meanwhile, thanks to a colourful black and white promotional video posted on Twitter by the Df-ingE, All Change Please! has uncovered extraordinary evidence that Nick Glibb is actually living in a 1940s time-warp, and is currently being played by Will Hay…

That’s Will Hay on the left, and Nick Glibb on the right. Or is it the other way round?

Do say:  That Glibbly bloke needs a good kick up the Arts

Don’t say: Thanks to that wonderful Mr Glibbly we will continue to be able to enjoy going to Glyndebourne for many years to come….

 

Image credits – Top: Wikimedia / Bottom: Df-ingE, and thanks to Susan Coles for spotting the likeness!

 

 

Tonight At Morning Break

 

Each Christmas All Change Please! attempts to write a post under the influence of a well-known literary work, such as last year’s Theresa in Wonderland, and before that George Osborne’s Twenty Fifty One, and of course not forgetting The Gove of Christmas Present.

This year’s inspiration is Tonight at Noon, written by the Liverpool poet Adrian Henri, and published in the 1967 ‘The Mersey Sound’ Penguin Modern Poets series. The title is itself taken from a 1964 album and track by Charles Mingus.

The basis of Henri’s poem is that each line presents a contradiction through a reversal of the truth, eg… “Elephants will tell each other human jokes” and, rather topically, “Politicians are elected to insane asylums”. But the final lines reveal his real intention – to express his hope that an equally unlikely event will occur: “You will tell me that you love me”. The full poem can be read here.

And now, All Change Please! is proud to present its own updated educational version…

Tonight at morning break

Tonight at morning break
Teachers will award politicians a 3% pay-cut
Tonight at morning break
Independent schools announce they will now only accept children who are eligible for free school meals
School children will hold Ofsted inspectors to account
Free schools will be charged under the Trades Descriptions act for not allowing children to be free to choose what and when they want to learn
Children will meet teachers and parents on cold winter evenings to discuss their progress as adults
And a portrait of Michael Gove will be hung upside down in the entrance to every school

Tonight at morning break
Children will shout at teachers to ‘sit down and be quiet!’ so that they can concentrate on learning from their smart phones and tablets
Teachers will stop marking exercise books with different coloured biros and start painting pictures in them instead
Every student in the country will achieve above-average GCSE results
Children will stop having to write in art, and start dancing their answers to maths problems
Students will learn that there is more to life than facts
And politicians will accept that educational research evidence is highly unreliable

Flipped lessons are taking place as children start teaching their teachers
Children are uniformly forced to wear their own choice of clothing to school
Teachers are teaching children instead of subjects
Students who fail all their GCSEs are found to be more employable than academics
School lunches are ranked against other countries according to their PIZZA scores
STEM is turning into STEAM
Russell Group universities are only accepting students named Russell
Nick Gibb is announcing his intention to resign as Secretary of State in order to join the BeeGees

              and
You will tell me that you love this post and share it widely on social media over Christmas
Tonight at morning break.

 

With thanks to the late Adrian Henri, and Alan and Duncan for a little help!

Art Failure at the MichaelGova School

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All Change Please! was interested to see that The Michaela ‘KNOWLEDGE IS POWER’ Community School was recently advertising for a new post in its Art Department: http://mcsbrent.co.uk/art-teacher-vacancy

Apparently:

“At KS3, pupils are taught the traditional techniques of drawing and painting and Art history. Lessons are ‘teacher-led’ as we believe it is the only way pupils can learn the appropriate skills to an expert level. Teachers show pupils exactly how to use each media in-depth step-by-step using the visualizer. There is no ‘guess work’ at Michaela. Pupils get to practice using the same media over and over again until the technique is mastered and perfected.”

“If you love art and know how to teach drawing, come and visit us at Michaela.  If you are in two minds, it is worth seeing what can be achieved in art when using our teaching methods.”

And it also states:

“We don’t offer lessons in ICT, DT..”

A full account of the Michaela guide to Mastery in Art and Music education can be found here.

But by yet another All Change Please! (Patent Applied For) Amazing Coincidence it seems that the nearby, and entirely fictitious, MichaelGova Community School is also recruiting further teaching staff for its Art Department. Somehow All Change Please! has exclusively managed to obtain a draft of the forthcoming press advertisement:

“At The MichaelGova ‘ABSOLUTE POWER CORRUPTS’ Community School, Art is about painting nice pictures over and over again until they look just like the work of great artists. We know everything about Art, but we don’t know what we like. An unkind visitor once upset some of our children by telling them that Art was about creating challenging new disruptive ideas, taking risks and being spontaneous and expressing oneself. He then spouted some mumbo-jumbo, snake-oil, neuromyth-nonsense that Art involved exploration, improvisation and messy experimentation in situations where there are no correct answers and that guessing and being intuitive were important in the real world. We asked him to leave the building immediately and never darken our doors again.

Pupils who in any way question what or how they are told to draw or paint are immediately isolated from other children and sent for a series of lunchtime re-progamming sessions in the Visualiser.

Meanwhile we take pride in refusing to teach our pupils anything about technology or problem-solving, knowing that they will be completely unprepared for life in the real, modern world. But as they will all become Oxbridge graduates unsuitable for any type of employment except for being a politician or a teacher in schools like ours, that won’t matter at all.

If you are in two minds about MichaelGova, please don’t apply. We only employ single-minded teachers.”

 

Fun-filled gender-fluid self-curated personas at the Df-ingE

In yet another of those remarkable coincidences that somehow seem to define All Change Please!’s very existence, at the same time as the BBC is broadcasting a new series of W1A, All Change Please! has received a transcript of a recent Team Df-ingE! meeting.

Justine Greening invited Siobhan Sharpe of ‘Perfect Curve’ – now incorporated into a Dutch conglomeration known as ‘Fun Media’ – back in to talk to the team. New and regular readers might like to remind themselves of what happened last time this happened

Justine Greening (AKA Mss Piggy): “Well hello everyone and thanks for attending this meeting in the new Nicky Morgove Office Suite. In our last ‘Going Backwards to Move Forwards’ session you’ll remember that we discussed the idea of using teachers as Trained Trainers in our schools, reading from pre-written scripts, and all agreed it would save a great deal of money, even if it was a bit daft. Today we’re fortunate to welcome back Siobhan Sharpe who is going to present Fun Media’s visionary Futurability review of the future of our schools.”

Nick Glibb: “Can I just point out…

JG: “No, you can’t Nick

NG: “It’s just that…

JG: “Look I know you’re male and all the problems that involves, but how many more times do I have to remind you that I’m in charge here? Over to you Siobhan – I have to say your name is a lot easier to pronounce than it is to remember how its spelt, isn’t it?

Siobhan Sharpe: “Thanks Justine. Long live the Sisterhood! Hi everyone! So like the big news is that teachers are so over. Nobody wants teachers anymore.”

Ensemble:Yes, very strong.”

Ens: “I’m totally good with that.”

Ens: “Way cool. That’s mental.”

JG: “I’m sorry you’ll need to run that over me again.

SS:  “Ten years. That’s all teachers have got. Then they’ll be gone. Extinct. Fossilised. Like, ancient relics of a bygone age. Do-dos. Get over it and move on.”

JG: “Says who?

SS: “Well, duh, Sir Antony Seldon for a start. Like the former head of Eton. You know – where the posh boys and future PMs go. He’s just written a book about it: The Fourth Education Revolution: how Artificial Intelligence is Changing the Face of Learning, and that’s what he predicts. No more teachers. Just computers. And kids sitting at rows of PC screens doing easy assessable multiple-choice questions. This is the 21st Century – the Information Age, in case you hadn’t noticed: Pearsonalised Learning, Artificial Inattention. Machine Leering. Fragmented Reality.”

JG: “But computers are nowhere near clever enough yet to be as good as a real teacher. I mean it’s not like we’re exactly talking HAL and ‘2001′ yet are we? This Artificial Intelligence stuff isn’t really as bright as it’s made out to be is it – at least not if the ‘Recommended for you’ emails I keep getting are anything to go by? It’s not exactly on the same level as a conscious, sentient being yet. Mind you, I suppose that goes for some of our current teachers too. 

Anyway there’s a lot more to learning than just answering questions that test your knowledge, which you know can be a bit de-motivating if you’re not very good at remembering things.  Surely learning is about providing young people with the capabilities to develop their dreams and aspirations, and exploring and experimenting with others to make them happen? The problem is that these current computer systems decide what children need to know and are designed to adapt them to fit a simplistic, elitist, academic view of the world as a random predetermined set of right answers. 

And let’s face it we’ve heard all this before – educationalists have been going on about it since the 1980s – but the problem is that the content is all written by New Media company programmers who don’t know the first thing about pedagogy. Anyone remember ‘Success Maker’? That wasn’t exactly much of a success was it?”

SS:  “Yeah. Right. You still don’t get it do you? Let me spell it out for you as easily as I can. Six words. Watch my lips: Teachers Expensive. Computers Cheap. Profits Greater. There, is that simple enough for you? Deal with it. Wake up and smell the Pumpkin Spice Latte for heaven’s sake.”

Ens: “Ah yes, no, good. Very good.”

Ens: “I so love it”

JG: “OK. So what else is there to look forward to in the future?

SS: “Well there’s all these stressful tests and solitary confinement examinations we keep making children take. I mean there are some serious mental health, mindlessness, human-rights issues here that need addressing. And everyone’s had enough of experts, and particularly educational experts, so anyway, no problem, because exams are finished too. We’ve done a re-branding exercise and have come up with a completely new concept in which the kids set and assess their own exams – it’s called ‘GCSE Me!‘. And of course as children learn most from each other, they will create and share their own user-generated on-line content resources too, which let’s face it, couldn’t be much worse than the current textbooks they currently get.

Ens: “Brilliant. No brainer…

Ens: “This is all going terribly well.”

JG: “I rather think Michael Gove would be turning in his grave if he were here now, although of course unfortunately he’s not actually in one yet.”

NG: “What I want to know is are the strict school uniform policies here to stay?

SS: “Hello? Have you heard from your brain lately? Or are you from a different planet or a Whovian time-warp or something? The school uniformity of the future is one that is always changing, different, divergent, inconsistent and varied. Our market research shows that Generation Z...”

NG: “Generation what?

SS: “Generation Z – children who are roughly between 12 and 19 – you know, duh, the ones currently in our secondary schools and colleges of FE that it’s your job to reach out to and engage. Gen Zs, as we call them – are a sophisticated self-confident creative force. Unlike their teachers and examiners they’ve moved on from the last century having been weaned on the internet, mobile phones and social media. They’re entrepreneurs and influencers, creating their own culture. They’re into dubbing soundscapes and performing word poetry and communicating using gifs and emojis. They’re defining themselves as their own brands. They see themselves as a gender-fluid generation in which there are no rules, no uniform, just their own self-curated persona.”

Ens: “Yeah, no worries, yeah, cool. Say again?

JG: “But hold on, you can’t exactly just go out and buy an affordable gender-fluid curated persona at Asda, can you? Anyway, let me get this straight. What you’re saying is that instead of rigidly imposing our own out-dated interests, aspirations and values on today’s children, what we should actually be doing is taking into account the way they see the world, and change our schools, the curriculum and the way we deliver it accordingly?

NG: “Well, I’ll tell you one thing for sure about the future. That’s never going to happen.

JG: “So that’s all good then…

Narrator: “And so we leave the Df-ingE in deep, earnest, concerned discussion, digging themselves further and further into a hole of their own making about the future issues that will one day face a completely different future team of ministers and parliamentary secretaries, long after they hope they have all personally in person moved on to better jobs in journalism and the City.

One thing looks certain though. Siobhan Sharpe’s future vision for fun-filled, gender-fluid, self-curated personas for our schools of the future doesn’t look like it’s going to be much fun trying to implement.