‘A’ is for…

The universe an absurdly weird place. And, when you start to think about it, one of the weirdest things in our universe are the schools where we prepare our children for their adult lives. And now they are about to get a whole lot more absurd as All Change Please! slips down a handy quantum-encrusted wormhole to discover an alternative, sometimes more enlightened but often just as weird parallel universe called Planet Urth.

This is the first in a series of posts entitled ‘All Change Please!’s Absolutely Absurd Alternative A to Z of Educashun’ in which it reports back on its recent visit to Planet Urth. Being a parallel universe, their world of teaching and learning bears a striking resemblance to our own: many things are exactly the same, but due to their particular fractured timeline, some things are rather different in an interesting way.

Be warned: you may never think of Education in the same way again….

ABC

On Planet Urth learning the ABC is one of the basic 2×4 red and white LEGO building bricks of education. In earlier times only the very wealthy who went to private schools could afford to learn the alphabet. It was eventually the introduction of mass-produced, widely available and affordable Alphabetti Spaghetti there in the 1930s that revolutionised teaching methods, although it was rejected by many teachers who preferred standing at the front of the class endlessly shouting it out while the children made notes.

Some children still find the order of the ABC difficult to learn and often ask their teacher why the letters are in that particular order. They mainly do this because they know the teacher doesn’t know the answer, which is that no-one really knows. The latest theory is that the letters were drawn at random in that order one day during an extended episode of Countdown.

The secret to the success of the alphabet is that because the letters are in a particular order it makes them easier to be taught to much larger classes through chanting. This avoids children claiming they knew all the letters but were just reciting them in the wrong order.

Academics

Academics cleverly called themselves a name beginning with an A in order to emphasise their importance by appearing early in the dictionary. An earlier suggestion on Planet Urth was that they should be called Aardvarks was narrowly rejected, which, when you think about it, was a bit of a shame.

For some inexplicable reason, everyone thinks they want to be an academic when they grow up, with little or no practical ability in the real world, other than to end up teaching the next generation of academics. A bit like the ‘product life cycle’, this is known as the ‘academic life-cycle’, which probably explains why so many academics ride around on bicycles.

Aesthetics

One of the weirdest ideas on Planet Urth is that some children are given a colourful cocktail of pleasurable aesthetic experiences so they won’t be conscious during an unpleasant practical procedure. General aesthetics are sometimes administered to help difficult students get through complex sessions so that they fall into an alternative state of consciousness and don’t disturb other learners. In shorter lessons a milder, more musical local aesthetic will often be sufficient.

Some schools run academic courses in the theory of aesthetics, but students in these classes tend to fall asleep very quickly of their own accord.

An Apple for Teacher

Some people, and especially those that are Daily Wail readers on Planet Urth, believe that the idea of giving your teacher an apple as a present originated when an apple dropped on the young Sir Issac Newton’s head and he took it into his teacher to explain what this thing called gravity was that he’d just invented. Today, in the more enlightened 21st Century, teachers often tell children that the fruit is not the sort of apple that is appropriate anymore and that they should be giving them an Apple iPhone instead. It is not known how successful this approach has been.

Out there on the internet there are, however, other much less believable theories as to the derivation of the idea: for example, the apple represents the ‘fruit of knowledge’ – the forbidden fruit unwittingly plucked by Eve and for which God put her in perpetual Detention.

Or perhaps it originated in the 19th Century American mid-west where families whose children attended schools were often responsible for housing and feeding their teachers, and who supplied them with apples as a token of appreciation? The Df-ingE has denied it has been considering a similar arrangement for funding education in post-Brexit Britain, but a spokesperson did remark that it seemed like ‘an interesting idea worth looking into’.

Art

Another of the more startlingly different ideas on Planet Urth is that having attended Art School is a pre-requisite for becoming a politician, so they really do have a real understanding of creativity and problem-solving and that Art involves a lot more than colouring things in, learning the names of famous artists and being able to produce skillful reproductions of well known paintings and then writing an essay about them. There everyone understands that Art isn’t just for thick kids who are good with their hands and who might benefit from a more relaxing therapeutic re-creational subject, instead of dragging down the results of a much more important academic subject.

Asking Questions

People on Planet Urth place much more importance on developing curiosity and enquiring mind. As a result schools place a great deal of emphasis on teaching children how to ask interesting questions that are often difficult to answer. In fact they all take a GCSE in which instead of writing answers to questions set by examiners, they have to write the questions themselves. They then need to outline how they would set about finding the answers, e.g., who would they ask and what sources they might refer to. Top marks are awarded for questions that are deemed to be of great significance and importance, and to which it is unlikely will ever be fully answered.

Meanwhile on Planet Earth the inhabitants are of course quick to point out that you can’t make any money just asking interesting questions all the time. Except you can if you become a member of the Quora Partner Program. The more people who view your question thread, the more you earn…

Assembly

In Roman times citizens used to gather round in the forum to listen to the great and the good make speeches. Today, while the rest of us receive the wisdom of our leaders though TV, Facebook and Twitter, sadly schools on both planets still attempt to keep the old ways alive by making children assemble in silence in regimented rows in the school hall once a day to hear the deputy head make a speech that no-one bothers to listen to because they know there isn’t going to be a test on it afterwards.

A funny thing happened on All Change Please!‘s way to a school assembly once, but that’s another story.

Assessment

Many people in education say that assessment is ‘the tail that wags the dog’. This might make sense if you attend the Barbara Woodhouse Academy for Young Puppies, but for everyone else it’s a load of bollocks. Dogs wag their tails when they are pleased or excited, not when they are sitting their GCSEs.

On Planet Urth dogs are only assessed when they are ready, and on what new tricks they have actually learned, rather than what academic knowledge some barking-mad, sly-dog politician thinks they should have learned.

Awe and wonder

At the turn of the 21st century, Ofsted expected schools to demonstrate that pupils were experiencing ‘awe and wonder’ during their lessons, or as one nameless maverick inspector on Planet Urth once wrote on his Evidence Form: ‘There was plenty of ore in the metalwork lessons, but the children’s attention soon began to wander…’

Tune in again soon for the next exciting installment of All Change Please!‘s Alternative A to Z of Education, which not unsurprisingly features the letter B

 

Image credits:  Image credits: Pixabay (all), except School Assembly:

Roman Forum (Wikimedia Commons)

Saint John’s School (Flickr Commons)

Mr Glibbly’s Square World

Mr Glibbly just keeps on trying to force a square peg into a round hole…

New information has recently emerged that helps confirm that Mr Glibbly comes from a strange, square-shaped planet called Glibblyworld.

One day, just before Christmas, Mr Glibbly was giving evidence to a Digital, Culture, Media and Sport Select Committee. They asked him very difficult questions about the falling numbers of students taking an Arts GCSE and there being not enough Arts teachers in schools. But Mr Glibbly had cleverly anticipated this question and had thought up a very good answer. So he replied in his usual glibb manner by saying that of course he wanted the number of Arts GCSE entries to go up. And then, getting straight to the point, he helpfully explained what the problem was, or rather wasn’t:

‘We want more young people to be taking music to GCSE and to A Level and the way to do that is to improve the curriculum in music and the arts leading up to GCSE so they are well equipped and motivated to take those subjects.’

On Glibblyworld it seems that the fall of entries for GCSE courses in the Arts isn’t anything to with the compulsory EBacc subjects leaving hardly any other GCSE course options left for children to choose. Because apparently the thing is, well you see, as everyone knows, the Arts are just not subjects pupils enjoy doing, as obviously their content just doesn’t appeal to them enough. Doubtless all this would change if the Arts became more academic and involved more writing and less practical work, which would be restricted to more regular and easily assessable geometric drawing, square dancing and learning long straight lines for the Shakespearean school play. After all, argued Mr Glibbly, children are only really interested in sitting still in silence and absorbing copious amounts of knowledge because they intuitively know they won’t be able to express themselves or be creative in any way until they have got as far as finishing their degree.

It sounded so obvious when he had thought about it, and Mr Glibbly was surprised no one else had realised it before.

All this serves to confirm what has long been suspected: that Mr Glibbly comes from a different planet from the rest of us – one where there are no curves, just right angles. On the Square World of Planet Glibbly everything and everyone are square, which makes them rather boring. ‘Squares’ are law-abiding and predictable people who find dealing with change difficult. They are often regarded as dull, rigidly conventional, and out of touch with current trends. Yes, that sounds quite a lot like Mr Glibbly, doesn’t it?

Back in the early 1960s, a time which Squaries often dream of returning to, it wasn’t at all cool to be square. There was even a TV comedy series called ‘It’s A Square World’, presented by Michael Bentine who was once a member of the Goons. As well as fake news reports from the eight corners of the world, the programme’s speciality was models that came to life. Famous routines included a flea circus, an expedition which discovers the source of the Thames is a dripping tap which was then turned of causing the river to dry up, sending the BBC Television Centre into orbit with Patrick Moore, and the reconstruction of the sinking of the Woolwich Ferry, even though it had never really sunk.

 

If Mr Glibbly watched the programme as a boy, he probably didn’t enjoy it very much as it rather challenged the establishment he was so fond of, and anyway it was all just a bit too silly for his liking. He was always far happier sitting quietly in a nice safe corner trying to solve his Rubics Cube puzzle, that is when he wasn’t playing Square Leg on the cricket field.

Poor Mr Glibbly. He’s still trying to force the square shape through the round hole. Perhaps we need to help return him to Planet Glibbly? As quickly as we possibly can.

 

Top image credit

Number 9

It seems like it was only this time last year when All Change Please! was celebrating its 8th birthday, but today it is 9 years old, and as traditional, this is the review of the best of last year’s posts.

First to announce the winners of the highly prestigious ‘most viewed posts’ of the last twelve months. In highly appropriate GCSE reverse order they were….

3. School Island

‘A group of children who don’t know each other are isolated in a secondary school for five years. In this unreal situation they are not allowed access to mobile phones or gain any other information about what is currently happening in the outside world.’

2. Glibbly’s All Fool’s Gold Signature Collection

‘Meanwhile Glibbly’s glistening All Gold EBacc curriculum collection needs some urgent re-branding. Perhaps re-naming it rather more accurately as Glibbly’s All Fool’s Gold Assortment – known for its superficial resemblance to qualifications that are actually worthwhile – would be a good start?’

And the winner is…..

Wait for it….

1. Art Failure at the MichaelGova School

‘But by yet another All Change Please! (Patent Applied For) Amazing Coincidence it seems that the nearby, and entirely fictitious, MichaelGova Community School is also recruiting further teaching staff for its Art Department. Somehow All Change Please! has exclusively managed to obtain a draft of the forthcoming press advertisement’

Then, as usual, in no particular order, here’s All Change Please!’s selection of its own three favourite posts:

Playing the GCSE Numbers racket

‘We never expected him to do that well, especially as his teachers kept saying how unsatisfactory his work was, and that he wouldn’t get his E back. Mind you I wasn’t surprised they had confiscated it – I kept telling him not to take drugs into school – but I expect his teachers needed it themselves.”

Tonight at Morning Break

“Independent schools announce they will now only accept children who are eligible for free school meals
School children will hold Ofsted inspectors to account
Children will meet teachers and parents on cold winter evenings to discuss their progress as adults
And a portrait of Michael Gove will be hung upside down in the entrance to every school…”

Is Nick Glibbly Having A Laugh?

‘This Christmas Nick Glibbly is appearing in Pantomime at the Df-ingE, where he will play the comedy role of Michael Gove. He has also been nominated for a Derrière Comedy Award at next year’s Edinburgh Festival in the ‘Least Likely Politician To Succeed In A New Career As A Comedian’ category.’

 

Meanwhile, in a far distant galaxy sometime in the not-so-near future that has nothing whatsoever to do with formal education, All Change Please! has recently found itself writing some very different sorts of posts, contributing to a blog site analysing the Beatles’ ‘White’ album, prior to the 50th anniversary of its release in November 1968. If you weren’t there then, or were and don’t remember it, there was definitely something in the air – a real sense of hope that things were starting to change. It was a time of revolution and riot, well at least it was if you were a University student – the rest of the country read about it in their newspapers or watched it in the comfort of their homes on their black and white TVs.

Today the Beatles’ double album is still a remarkable achievement, showcasing the band at the height of its musical creativity, experimenting with the new technology to discover new ways of creating music that matched their subversive multi-layered lyrics. The extraordinary ‘Revolution 9’, which featured a repeated voice saying ‘Number 9’, was strongly influenced by modern classical composer Karlheinz Stockhausen. It was an eight minute collage of sound recordings that today would not stand a snowball’s chance in hell of being included on the latest album of a best-selling, chart-topping globally successful group. As such it is almost certainly the best-selling piece of ‘avant-garde’ music of all time, even if most people tended to skip it after the first listen!

Meanwhile, 50 years later, All Change Please! is still waiting for Revolution Number 1 to start happening in the current education system. It guesses it will just probably have to wait another year…

Image credit: Ian Melbourne93

The long, sad story of Jannet and Jo Blogs

Once upon a time in a parallel universe, similar to our own but not quite the same, young Jannet and Jo Blogs worked in a widget factory, making widgets, as everyone was obliged to for a period of at least 13 years. The factory made seven different types of widget, and employees were expected to move around, so they didn’t spend all day making the same widget. The problem was, Jannet and Jo were not very good at making any of the widgets. Theirs always came out being too big or small or just not quite the right shape, the parts didn’t connect together properly and they spent far too long working on each one.

Every day it was the same. They tried their best, but each of the manufacturing supervisors of the seven different widgets just sighed and pointed out to them in detail the various ways in which the work they had done was unsatisfactory, by exactly how much, and the extent to which they had missed their production targets yet again, and were letting the reputation of the factory down.

This went on for six long years. It didn’t make it any easier that each year the factory demanded that the widgets they made became more and more complicated, which meant that they got further and further behind. Eventually the factory manager informed them that they had come to the end of their contracts and that he had arranged for them to be transferred to a different factory, and shook their hands and wished them every success for the future.

Jannet and Jo looked forward to being able to make a fresh start in a new factory, but they were disappointed to discover that there they was still being asked to make exactly the same seven widgets, which had now become even more difficult to master. And so, for another five years, their supervisors spent their days informing them how sub-standard their work was and how important and absolutely essential it was for them to improve in order to meet their targets, even though the work was quite beyond them. Meanwhile the other more productive workers often made fun of them as they were so useless.

At the end of the five years many of their much more successful fellow workers had their contracts renewed for another two years, but Jannet and Jo were re-located to yet another place of work where they were expected to spend a lot of their time trying to remake all the faulty widgets they had previously created, but no matter how hard they worked, they still just couldn’t get them right.

When they weren’t at their factory Jannet and Jo spent as much time as they could following their passion for medieval history. They loved reading and researching and cataloging artefacts from the past, and worked together as volunteer managers of the local Archaeological Trust where they successfully organised displays and outings. But of course all this had been frowned upon by their boss at work, because it didn’t help them in any way to make better widgets, which apparently was all that really mattered in life.

After a total of thirteen long, miserable years of failed widget-making, Jannet and Jo felt they had had enough and decided they never wanted to see another widget again. Lifelong widget-making was definitely not for them. They had became very depressed and just lounged about all day, unable to get another job because, quite wrongly, they thought that widget making was all they knew anything about, and that wasn’t very much. If you couldn’t make widgets, what could you do to get on in the world?

 

Of course Jannet and Jo’s sad story would never have happened in our universe, would it?

But here though, just as sadly, too many Janet and Johns go through much the same experience as Jannet and Jo during their thirteen long years in school, except their widgets are academic national curriculum subjects. Their struggle is with having to memorise excessive amounts of what they see as irrelevant subject knowledge and then being required to regurgitate it again in purely written form, isolated in the examination hall. But despite this their work is tested every day and their faults are identified and commented on by their teachers and ambitious new targets set that they have little chance of meeting. It’s not long before a sense of profound failure sets in, they start to lack confidence, and develop low self-esteem. At the end of eleven years of schooling, something like around half of all children who take the seven EBacc examinations will fail to achieve the expected five good pass ‘floor standard’ grades. And they will then have to stay on at school or go to college for another two years to try again, before many give up completely on education as being something that’s just not for them.

The shame is that if these children also had the opportunity to properly study a wider range of less-academic subjects while at school – such as the creative arts and applied technical and practical problem-solving that helped them develop the life-skills they need – they might just have discovered that they had many other different talents and abilities that they could have developed and excelled at. Of course at the same time these less-academic subjects also need to start to be seen by society – and importantly by politicians and the media – as being just as worthwhile educational experiences as learning everything there is to know about the theory of widget-making.

Meanwhile All Change Please! can’t help wondering if the politicians and media in Jannet and Jo’s parallel universe are any better than they are here on this Earth? By the sound of it, probably not…

Let’s ask the Magic 8 Ball

9775164755_65c81a60c2_z.jpg

Yes, as unbelievable as Brexit sounds, today, the 28th October 2017, is All Change Please!s Magical Eighth birthday. And that means it’s time for All Change Please!’s surprisingly regular annual Review of the Year post…

To begin with, regular readers might have noticed that All Change Please! has been a lot less prolific than in previous years: instead of an average of posting once a fortnight, it’s been more like once a month. Except for February, April and May when seemingly absolutely nothing happened to inspire All Change Please! to take pen to paper, or rather finger to keyboard. However the world of education seemed to come back to life a bit more during September and October…

So what were All Change Please!‘s greatest number of hits of 2016-17?

1. The Blunders of Government

Way out ahead in the prestigious Number One ‘Top of the Posts’ spot was the runaway ‘The Blunders of Government’ which featured a dialogue between Sir Humphrey Appleby and a compendium of Education Secretaries from the past 7 years.

2. Theresa in Wonderland

Some way behind was All Change Please!’s Christmas special which identified the close connection between Mrs May and Alice, with Nigel Farage in the role of the Cheshire Cat, and The Queen of Hearts (deftly played by Angela Merkel) boasting that sometimes she believed as many as six impossible things before Brexit.

3. Problem still unsolved….

In which it was revealed that students place little value on creativity and problem-solving, largely because the schools they go to don’t either.

 

But as always, what appeals most to the bloglovin’ public rarely reflects All Change Please!’s own favourites of the year which included:

4. Fun-filled gender-fluid self curated personas at the Df-ingE 

Cool. No problem. Read again?

5. Pass Notes: What is GCSE Irritative Design.

Your cut-out and weep guide to D&T…

 

Meanwhile, All Change Please! got to wondering about who invented the Magic 8 Ball and when, and how it worked – and not for the first time managed to find everything it wanted to know on Wikipedia.

“The Magic 8-Ball is a toy used for fortune-telling or seeking advice, developed in the 1950s and manufactured by Mattel. It is often used in fiction, often for humor related to its giving accurate, inaccurate, or otherwise statistically improbable answers.

An 8-ball was used as a fortune-telling device in the 1940 Three Stooges short, You Nazty Spy!, and called a “magic ball”. While Magic 8-Ball did not exist in its current form until 1950, the functional component was invented by Albert C. Carter, inspired by a spirit writing device used by his mother, Mary, a Cincinnati clairvoyant.

The Magic 8-Ball is a hollow plastic sphere resembling an oversized, black-and-white 8-ball. Inside a cylindrical reservoir contains a white, plastic, icosahedron floating in alcohol dyed dark blue. Each of the die’s 20 faces has an affirmative, negative, or non-committal statement printed in raised letters. These messages are read through a window on the ball’s bottom.

To use the ball, it must be held with the window initially facing down. After “asking the ball” a yes-no question, the user then turns the ball so that the window faces up, setting in motion the liquid and die inside. When the die floats to the top and one face presses against the window, the raised letters displace the blue liquid to reveal the message as white letters on a blue background.

The 20 answers inside a standard Magic 8-Ball are:

It is certain

It is decidedly so

Without a doubt

Yes definitely

You may rely on it

As I see it, yes

Most likely

Outlook good

Yes

Signs point to yes

Reply hazy try again

Ask again later

Better not tell you now

Cannot predict now

Concentrate and ask again

Don’t count on it

My reply is no

My sources say no

Outlook not so good

Very doubtful

All of which leads All Change Please! to the inevitable conclusion that it’s Mrs May’s Magic 8 Ball which undoubtedly forms the basis of current government policy-making and Brexit negotiations…

If you have been…  keep watching this space!

 

 

Image credit:  Flickr/David Bergin

Theresa In Wonderland

1280px-John_Tenniel_-_Illustration_from_The_Nursery_Alice_(1890)_-_c03757_07.jpg

Thankfully, the Festive Season comes but once a year and, as surely as Christmas means Christmas, it’s time for All Change Please! to delve into the world of literature and present its own special pull-out double issue, long-read, twisted, fractured and satirical updated version of a well known classic, such as it has done in years gone by with Twenty Fifty One and The Gove of Christmas Present. So without further ado – look out behind you!  Here’s All Change Please!’s annual political pantomime…

Once upon a time, not so very long ago, it was a warm and sunny July afternoon and Theresa was sitting lazily in the beautiful back garden of the house in her Maidenhead constituency, contentedly admiring her new pair of very expensive summer sandals.

All of a sudden, and much to her surprise, a white rabbit with pink eyes ran by exclaiming ‘Oh my ears and whiskers, how late it’s getting. I’ll never get to be PM’. That’s curious, Theresa thought – That rabbit looks just like Michael Gove. She strode purposefully across the garden just in time to see it pop down a large rabbit hole. Just in front of the hole there was a small sign that read ‘BREXIT’, and pointed towards the hole. In another moment down she went after the rabbit, never once considering how in the world she would ever get out of it again. Suddenly she found herself descending at great speed. As she fell she began to worry that when she reached the bottom she was probably in for a very hard Brexit indeed.

1sw-Alice_drink_me.jpgDown, down, down Theresa fell until she could go no further, when suddenly there was a thump and she found herself in a long, low hall which she recognised as the corridor of Number 10 Downing Street. There she came across a small three-legged table on which there was a bottle marked Blue and Yellow Brexit. I’m certainly not drinking that, she thought, but perhaps if I give it a good shake and mix it up it will turn in to a nice Red, White and Blue Brexit? Or even better, an Amazing Technicolour Dreamcoat Brexit that one day will become a successful West-end musical. What a shame I didn’t study more art in school then I would understand how colour theory works.

***

In the distance Theresa caught a glimpse of what she first assumed to be Larry, the Downing Street cat, sitting at the top of the stairs. As she approached him however, she realised she had been mistaken. This cat had very long claws and a great many teeth.

1s--John_Tenniel_-_Illustration_from_The_Nursery_Alice_(1890)_-_A80108_46.jpg

‘What’s your name?’ Theresa asked politely.

‘Why, I’m Nigel, the UKIP cat.’

‘Ah!’ said Theresa. ‘Would you tell me please, which way I ought to go from here? What sort of people live about here?

‘In that direction,’ the cat said, ‘lives a Hatter, and in that direction lives a March Hare. Visit either you like: they’re both mad. But at least they are not immigrants.’

‘But I don’t want to go among mad people,’ Theresa remarked.

‘Oh you can’t help that,’ said the cat: ‘We’re all mad here. I’m mad. You’re mad.’

‘How do you know I’m mad?’ said Theresa.

‘You must be,’ said the cat, ‘or you wouldn’t have come here.’

Suddenly the cat vanished and then re-appeared as UKIP Leader several times, finally beginning with the end of the tail and ending with just the grin, which remained some time after the rest of it had gone off in search of America.

***

1s--De_Alice's_Abenteuer_im_Wunderland_Carroll_pic_26.jpgAt the top of the stairs Theresa found herself in front of a door marked ‘Cabinet Room’ How curious she thought, to have a room specifically to keep a cabinet in. She opened the door and entered. At the end of a very large table, the March 31st Hare and the Mad Hatter were having tea: a Dormouse was sitting between them, fast asleep. Theresa couldn’t help noticing the uncanny resemblance that the Mad Hatter had to Boris Johnson, that the March 31st Hare had to David Davies, and that the dormouse had to Philip Hammond.

‘No room! No room!’ they cried out when they saw her coming.

‘There’s plenty of room!’ said Theresa indignantly, and she sat down in the large, important looking chair in the middle, reflecting that this was now indeed a post-truth world. Theresa lifted the pot to pour herself some tea, but the tea dripped out from the bottom onto the cabinet table. Ah!, she thought, at least now I know where all the leaks are coming from.

‘Well,’ said the March 31st Hare. ‘What do you have to say? Say what you mean.’

‘I do,’ Theresa replied hastily. ‘At least I mean what I say – that’s the same thing you know.’

‘It’s not the same thing a bit!’ said the Hare. ‘You just announce policies that come into your head, and a few days later say you never meant them.’

‘So,’ said Theresa, ‘you mean that if I say ‘Brexit means Brexit’ I don’t mean what I say?’

‘Exactly!’ replied the Hare, ‘What you really mean to say is that Brexit means whatever the EU decides it means.

‘That’s curious’, interrupted Boris the Mad Hatter. ‘Whenever I say what I mean, No 10 always says I didn’t mean to say it. Which is a very mean thing of them to say. But enough of this nonsense. Let me ask you a riddle instead. Why is a Grammar School like a White Elephant? Can you guess?’

‘No I give it up,’ Theresa replied. ‘What’s the answer? ‘

‘I haven’t the slightest idea,’ said the Hatter. ‘Well, except that perhaps a white elephant is also something that isn’t worth having but still costs a lot to maintain?’

***

1sJohn.jpgTheresa left the cabinet room, declaring she would never go there again and that it was the stupidest meeting she ever was at in all her life! Just as she said this she noticed a tree with a door leading into it. That’s very curious, she thought, but everything’s curious these days. I think I may as well go in at once. She found herself at the entrance to a garden, and noticed that there were 27 EU leaders all in a bit of a state, dressed as playing cards. She introduced herself to the Queen of Hearts:

 ‘My name is Theresa, so please your Majesty,’ she said very politely, but added, to herself, ‘Why, they’re only a pack of cards, after all. I needn’t be afraid of them!’

After a game of croquet, the Queen of Hearts, whom Theresa couldn’t help but notice bore more than a passing resemblance to Angela Merkel, offered her some bread and jam and a piece of cake. Theresa declined the JAM, saying she could just about manage to afford her new leather trousers perfectly well without it, even though she knew very well that there were many others who couldn’t.

‘You couldn’t have it if you did want it anyway,’ the Queen said. ‘The rule is JAM tomorrow and JAM yesterday but never JAM to-day.’

The Queen then demanded that she played a game with her. Theresa studied the cards in her hand and saw she held the Joker – I’ll have to play my Trump card very carefully, she thought.

Suddenly the Queen shouted out: ‘Now show me your cards!’

‘But if I show you my cards,’ Theresa explained, ‘then you will have a considerable advantage and will easily win the game.’

‘Hmm! I suppose you believe you’re in charge around here?’ said the Queen sarcastically.

‘Well I am the Prime Minister of Wonderland.’ said Theresa, which quite surprised her because up to that moment it hadn’t really occurred to her that indeed she now was. At this the Queen got very annoyed and muttered something about making sure that Teresa might still have her piece of cake, but she certainly wasn’t going to eat it too.

1s-John_Tenniel_-_Illustration_from_The_Nursery_Alice_(1890)_-_c06543_05.jpg‘I’ll tell you something to believe,’ the Queen continued: ‘I have twice been named the world’s second most powerful person, the highest ranking ever achieved by a woman, and the most powerful woman in the world for a record tenth time. I am the longest-serving incumbent head of government in the EU, the senior G7 leader and I’m seeking re-election for a fourth-term.’

‘I can’t believe all that!’ said Theresa.

‘Can’t you?’ the Queen said in a pitying tone. ‘Try again: draw a long breath, and shut your eyes.’

Theresa laughed. ‘There’s no use trying,’ she said: ‘one can’t believe impossible things.’

‘I daresay you haven’t had much practice,’ said the Queen. ‘When I was your age, I always did it for half-an-hour a day. Why, sometimes I’ve believed as many as six impossible things before Brexit.

Then the Queen asked Theresa: ‘Have you seen the Mock-exam Turtle yet?’

‘No,’ said Theresa. ‘I don’t even know what a Mock-exam Turtle is.’

‘Come on, then,’ said the Queen, ‘and he shall tell you his history,’

The Mock-exam Turtle duly told his story and spoke of his education: ‘When we were little we went to school in the sea. The master was an old Turtle—we used to call him Tortoise—’

‘Why did you call him Tortoise, if he wasn’t one?’ Theresa asked.

‘We called him Tortoise because he taught us,’ said the Mock Turtle angrily: ‘really you are very dull!’

‘And how many hours a day did you do lessons?’ said Theresa, in a hurry to change the subject.

‘Ten hours the first day,’ said the Mock Turtle: ‘nine the next, and so on.’

‘What a curious plan!’ exclaimed Theresa.

‘That’s the reason they’re called lessons – because they lessen from day to day.’

***

1s-John_Tenniel_-_Illustration_from_The_Nursery_Alice_(1890)_-_c06544_02.jpgPresently, Theresa found herself attending the trial of the scurrilous Knave of Hearts who was accused of stealing the Arts from schools one summer day and taking them quite away, and who looked suspiciously like Nick Glibbly. Glibbly read out various items of fake-news press-releases claiming that the Arts were still flourishing and GCSE entries had increased, except of course he carefully neglected to mention that the figures he was quoting included AS levels. After Glibbly had presented his evidence the King announced that the jury should consider their verdict.

‘No, no!’ exclaimed the Queen. ‘Let’s write the front page headline of the Daily Mail first – verdict afterwards.’

‘Stuff and nonsense,’ said Theresa loudly. ‘The very idea of it. You can’t have the sentence before the verdict.’

‘Hold your tongue,’ said the Queen turning a shade of UKIP purple.

‘I won’t!’ said Theresa defiantly. But at this the Queen completely lost her temper.

‘Off with her shoes!’ she shouted furiously at the top of her voice.

But Theresa found the thought of losing her shoes so traumatic that it bought her to her senses with a jolt, and she suddenly found herself back in the garden, where her strange adventure had begun. She immediately looked down and to her great relief found her shoes were still firmly attached to her feet.

‘Ah! there you are Theresa dear!’ said her husband. ‘Why, what a long time you’ve been away!’

‘Oh, I’ve had such a curious dream!’ said Theresa. ‘I had begun to think that very few things indeed were really impossible. Would you believe I dreamt I was Prime Minister of Wonderland?’

‘But my dear!’, said Philip kindly. ‘Don’t you remember? You are the Prime Minister of Wonderland…’

***

Christmas Day Quiz Question. How well do you know your Lewis Caroll? All the quotations and references above were based on text taken from ‘Alice in Wonderland’, except for two which were from ‘Through The Looking Glass’. But which were they?

***

With thanks to Lewis Caroll. Illustrations by Tenniel/Wikimedia

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7-Up + 300

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“Give me a child until he is seven and I will give you the man”

It’s astonishing to think that back in the Autumn of 2009 – around the time that All Change Please!’s first post was published – a child starting secondary school in Year 7 will now have completed their A levels and be either commencing a degree course – or of course, more like All Change Please!, becoming another Not in Employment, Education or Training statistic.

Yes, it’s exactly seven years since All Change Please! published its very first post, and as usual it decides to nostalgically wallow in its archives from the past twelve months to visit some of its most read and best loved words of so-called wisdom.

But before it does so, there is another cause for celebration, because by delightful coincidence this is also All Change Please!’s 300th post.

This year’s Top 3 most read posts were:

1. Pass Notes: Art Attack! 

In which it is revealed that both less and fewer pupils are now taking GCSE subjects in The Arts, despite Nick Glibb claiming otherwise before being finally proved wrong by the 2016 entry figures.

2. Little Miss Morgan

In which it is suggested that Nicky Morgan didn’t really care what she was saying at the NASUWT Party Conference because she knew she’s be in a proper cabinet job by September, except that now we know it didn’t work out quite like that.

3. No Minister! No, No, No.

In which a passionate appeal is made by means of the Df-ingE consultation for it to abandon its intentions that 90% of pupils should take the EBacc to GCSE, even though the results of the consultation have never been made public.

Meanwhile All Change Please!‘s personal favourite Top 3 were:

1. Curriculum Noir 3 

In which Wilshaw asks Marlowe for help after he realises he’s made an enormous mistake backing the EBacc, despite the fact that there’s not a shred of evidence to back up the Df-ingE’s ideology.

2. What a Wonderful World

In which we learn all about the brave new world of Fantasy Politics in which politicians make up any old stuff that comes to mind – something that All Change Please! has been successfully getting away with for years.

3. Twenty Fifty One

In which we revisit George Orwell’s classic story 1984, and realise it’s just that we haven’t got there yet – despite the fact that we’ve since taken back control and given it all to just one person who thinks she can run the country on her own. Big Sister Is Watching You…

“Give me a blog until it is seven and I will give you the Pulitzer Prize for Journalism (or not)”

Let’s try a different kind of 7up instead…

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 7up image credit: Flickr/Kevin Dooley

Pass Notes: A History of Art Attacks

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L.H.O.O.Q.,  Marcel Duchamp (1919)

What? Look, someone has attacked a work of art – they’ve drawn a moustache and beard on the Mona Lisa. Quick! Call Security…

Calm down dear! It’s only a postcard. That’s one of the artist Duchamp’s found object  ‘readymades‘, created in 1919.

Oh well you would know that wouldn’t you – you took Art History at A level. So, clever clogs, what do the initials in the title stand for?

I couldn’t possibly tell you that here – this is family tea-time blog post, but you could look it up here.

As an artist I know you’re probably can’t read, but I expect you’ve heard that the History of Art A level is to be axed and become a museum exhibition piece of the future, along with Archaeology and Classical Civilisation?

Ah yes. I blame that cheeky Michael Gove chappie.

Well apparently lip-smacking, cool-talking, brexit-lying Mr Gove has denied that it was anything to do with him, and said that he’s always supported such subjects, even though as Education Secretary he did absolutely nothing to help save them. And by introducing the EBacc he has caused a reduction in the number of students taking Art&Design at GCSE.

So whose fault is it then?

Most writers are blaming AQA – the last Awarding Body offering the subject – who have claimed that, unlike other leading brands of History, accurate and reliable marking of such a wide-ranging subject is impossible. And anyway they can’t recruit enough examiners with appropriate teaching experience. Or to put it another way, there are not enough entries to make it commercially viable and increase their overall market share.

Just a minute, you’re making it sound like examining is a business. I thought it was something run by the universities, and that their role was to support and promote the accreditation of the widest possible range of academic courses?

That’s what it used to be like in the good old days, but not any more I’m afraid. And anyway, it’s not strictly speaking entirely the exam board’s fault.

Proceed, I prithee. I’m listening…

Well the real question is, why has demand for these subjects fallen so low?

Forsooth!  I trust the answer will be shortly be forthcoming, my Lord.

Give me chance, and drop the fake historical Ye Olde-English One Foot in the Past act will you?  Back in the 1970s and 80s schools with expanding sixth forms were able to run courses such as The History of Art with relatively small numbers of students, but now, unless a certain number opt to take an A level subject to make it ‘viable’ in terms of the cost of employing a member of staff, the course just doesn’t run and then isn’t offered in subsequent years.

And with regards to the History of Art there’s another factor that most writers have failed to mention, and that is that GCSE and A level courses in Art&Design already contain a significant coverage of study of the historic and contemporary artists and art movements. So most students who have opted for an Art&Design A level are encouraged to choose other more ‘facilitating’ subjects that don’t contain the word Art in their title in order to increase their chances of getting into a good university. And of course at the same time improving the school’s qualifying position in the Df-ingE Champions League Table.

But what about the Sixth-formers who know they want to become artists or designers, and don’t want to go to an academic university?

Sorry, I don’t quite understand the question. What do you mean ‘don’t want to go to an academic university’? What other purpose is there for going to school?

Well, it’s just that if you know you want to be an artist or designer it’s actually quite difficult choosing A level subjects that you might be interested in doing, and taking an A level in History of Art as well would help prepare you for the history and cultural study elements of your college courses, as well as looking good on your applications and in interviews as you discuss the influences that have informed your portfolio of work.

As an Oxbridge PPE scholar I have absolutely no idea what you are going on about. Surely if you want to be an artist or designer you need a string of A* grades, just as you do in any other subjects?

Not really. There’s a lot more to Art & Design than just being able to write essays. Actually many colleges of art are cautious about applicants with high examination grades as they tend not to be very creative, self-motivated, risk-taking students.

Well, if you say so. You’re not one of these Bremoaners are you by any chance? Whatever next?

Just one other thing. While dropping Art History as an academic A level subject is bad enough, I can’t help wondering why it is getting so much media coverage when there are a lot more serious concerns about the curriculum. How often do we see concerned articles reporting the emerging crisis in the lack of our children’s experience in the skills they will need to survive in a highly automated post-Brexit economy where things like experience of open-ended project-based problem-solving, collaboration, business and marketing will be urgently needed?

Hmm.  Have you seen the latest Tate Britain exhibition? It’s awfully good, the paintings are so realistic – artists had real skills in those days. And I’m glad to say there’s none of this 20th Century Modern Abstract Art nonsense on show.

Do say:  Wait, I hear there’s a possibility a different exam board might start to offer A level Art History again.

Don’t say:  I wonder if it will be a readymade specification?

More Glibbledygook: The Impotence of Curriculum

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All Change Please! recently discovered that there was a new intern working at the Df-ingE who was asked to produce the first draft of the speech that Nick Glibb gave last week to Association of School and College Leaders. After many hours re-assembling thousands of shredded strips of paper it has been able to restore sections of the original draft along with Nick Gibb’s comments and amendments…

The Impotence of Curriculum

Would you believe it – there’s an ‘r’ and an ‘a’ in Importance. This just proves my point that more spelling tests are needed in schools. Of course I suppose it might be some sort of joke about my lack of power and the fact that, despite what some people seem to think, everything I do or say has to stand up for approval by a woman? No, surely not. And let’s be clear – there’s nothing dysfunctional about my curriculum. So let’s make it:

“The Importance of Curriculum”

Right, that feels much more satisfying. OK, let’s read the first paragraph.

Thank you for inviting me to join the ASCL curriculum summit today. Developing a well-thought-through, challenging school curriculum is central to the running of any school, and this is a topic I am always keen to impose my narrow, ill-informed views on.

No – that needs to read:

“Developing a well-thought-through, challenging school curriculum is central to the running of any school, and this is a topic I am always keen to discuss.”

We all want our children to grow up to be happy, independent, economicaly literate, employable, caring and confident citizens.

Oh no we don’t! We want them to be as obedient, pliable and silent to make it as easy as possible to keep them in order and make as much money out of them as possible when they become adults. But perhaps best not to include that.

So why does our curriculum quite unnecessarily prepare, examine and fail them as if they were all going to become university professors and masters of a wide range of academic subjects that do not exist in the real world?

You cannot be serious! Delete and change to:

“There was a widespread feeling that qualifications, in particular GCSEs, did not represent the mastery of a sufficiently challenging body of subject knowledge.”

Since 2010, pupils’ future life chances have been sacrificed for an illusion of DfE success, which served short-term political expediency.

Err, just a slight alteration here:

“Before 2010, pupils’ future life chances were being sacrificed for an illusion of success, which served short-term political expediency.”

Of course, planning for these new examinations is placing a significant workload on teachers for the next 2 years. This will be made even more demanding because instead of engaging and inspiring children with the subject they love – the subject that they went into teaching to communicate – it will mean a lot more teaching to the test of irrelevant factual knowledge to completely disinterested children who will see the content as completely meaningless to their lives.

Ah, well, with a little bit of editing…

“Of course, planning for these new examinations is placing a significant workload on teachers for the next 2 years. But as workload burdens go, I hope that secondary school teachers will see this as a chance to re-engage with the subject they love, the subject that they went into teaching to communicate.”

On the topic of performance measures, there have been concerns amongst ASCL members about our aspiration that, in time, 90% of pupils will be entered for the EBacc. The key concern appears to be the challenge of teaching all academic subjects to all pupils, in terms of both recruitment of teachers and achieving success for lower attaining pupils, and in the significant reduction of access to courses in the Arts and other non-academic subjects.

A bit of damage limitation is obviously required here so let’s just tweak that slightly to read:

“On the topic of performance measures, there have been concerns amongst ASCL members about our aspiration that, in time, 90% of pupils will be entered for the EBacc. The key concern appears to be the challenge of teaching modern foreign languages to a much larger proportion of pupils, in terms of both recruitment of teachers and achieving success for lower attaining pupils.”

A well-rounded, broad education is the entitlement of every child, irrespective of birth or background. It will enable them to discover their individual interests and abilities and nourish the desire to continue learning throughout their lives.

You might think that. I couldn’t possibly say so. Change to: 

“An academic education is the entitlement of every child, irrespective of birth or background.”

In today’s highly competitive global employment market it is increasingly essential that our children learn the skills of the workplace that will last them a lifetime – such as collaboration, communication and problem-solving – as early as possible. It is the luxury of living in today’s world that there is no rush to start developing the ability to come up with pretentious academic twaddle such as ‘the great conversations of humankind’ and  ‘intellectual hinterland’.

No, it’s the other way round, stupid! 

“It is the luxury of living in today’s world that there is no rush to start studying for the workplace. 

All pupils can be afforded the time and opportunity to be initiated into the great conversations of humankind, and develop an intellectual hinterland which will last them a lifetime.”

The Social Market Foundation have recently published a report establishing that:

“We find stark inequalities in access to the highest quality teachers resulting in poorer pupils being taught by poorer quality teachers. This provides an explanation as to why educational inequality in England persists.”

This will of course come as no surprise to teachers, who, had we listened to them in the first place, would have provided the basis for a series of policy initiatives that might actually have made a real difference to under-performing children instead of all the EBacc, Academy and KS2 English SAT nonsense we have wasted tax-payers’ money on.

Look, let’s be honest – you’re not really cut out for this sort of work, are you? Change to:

“The structural reforms undertaken by this government have created extraordinary school success stories, which force all of us to revise our expectations about what children, particularly those from deprived backgrounds, can achieve.”

Sadly All Change Please! believes the intern is no longer with the Df-ingE.

Happily All Change Please! was meanwhile amused to learn that Glibb got one of the English Test questions incorrect:

“The BBC’s Martha Kearney asked him whether the word “after” in the sentence “I went to the cinema after I’d eaten my dinner” served as a subordinating conjunction or a preposition. Gibb incorrectly identified it as a preposition.”

Poor Mr Glibby – he obviously feels inadequate because he wasn’t forced to learn unnecessary rules of grammar at school. He went on to explain:

“This isn’t about me. This is about ensuring that future generations of children – unlike me incidentally, who was not taught grammar at primary school – we need to make sure that future generations are taught grammar properly…so that when they are asked to write at secondary school, when they go to university and are asked to write an essay, it isn’t a struggle to construct a properly grafted and grammatically correct sentence.”

There’s nothing wrong with children learning the basics of grammar and being tested on it – it’s the ridiculous extreme of the current tests that’s the problem, and the sense of failure it gives them. And all because the DfE loves PISA…

And finally, the other day Little Miss Morgove had another of those difficult speeches to make at the NAHT conference, in which she successfully convinced everyone of the full extent of her considerable ignorance about the reality of schools, teaching and learning, and which prompted the following meme to circulate worldy widely on the interwebly.

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Top image credit: Flickr/thedailyenglishshow

Mr Vaguely Squeezed to Death On TV…

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In which Mr Vaguely writes a colourful report on the Arts,
which everyone completely ignores.

With the focus on the unwelcome forced academisation of schools it’s important not to forget that there is still the problem of the impact of the EBacc on the Arts and many other subjects.

Ed Vaisey, government secretary in a state about Culture, Media & Sport recently launched a multi-coloured white paper that painted a glorious pictorial vision of arts ‘at the heart of everyday life’ and that ensured that everyone would be able to access culture ‘no matter what their background’.

Apparently, according to the White Paper:

“All state-funded schools must provide a broad and balanced curriculum that promotes the spiritual, moral, cultural, mental and physical development of pupils. Experiencing and understanding culture is integral to education. Knowledge of great works of art, great music, great literature and great plays, and of their creators, is an important part of every child’s education. So too is being taught to play a musical instrument, to draw, paint and make things, to dance and to act. These can all lead to lifelong passions and can open doors to careers in the cultural and creative sectors and elsewhere. Without this knowledge and these skills, many children from disadvantaged backgrounds are excluded from meaningful engagement with their culture and heritage. The national curriculum sets the expectation that pupils will study art and design, music, drama, dance and design and technology. New, gold-standard GCSEs and A levels have been introduced in these subjects.”

Well that’s all fine and dandy then, isn’t it? What’s all the fuss about? Everything is wonderful! Except that we all know that in reality it just doesn’t work like this, and that in order to increase a school’s league table position an increasing number of children are being persuaded to take EBacc subjects instead of those in the Arts. And at the same time provision at KS2 and 3 is being cut back drastically. It doesn’t sound like he read the NSEAD’s recent survey does it?

One has to feel a bit sorry for Ed Vaguely, the longest serving Minister for Culture, Media & Sport. He’s obviously passionate about the provision and promotion of the Arts, but somehow the Df-ingE keeps getting in his way. And of course he’s under contract to keep repeating the same old tired nonsense that the Df-ingE keep spinning in the belief that if they keep saying it loud enough and long enough it will actually become true, or at least people might start to believe it. Actually one doesn’t have to feel sorry for Ed Vaguely – he should be willing to stand up for himself and the Arts and challenge the bullies at the Df-ingE, which isn’t exactly difficult to do given their current record of ‘U’ Turns. After all it’s a White Paper, not a White Flag.

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Anyway, the other night there was Mr Vaguely on Channel 4 News, telling the artist known as Bob & Roberta Smith (AKA Patrick Brill), film producer Uzma Hasan, George the Poet and Jon Snow how wonderful everything would be now that he had published his sparkling new Colouring-in White Paper. Of course such a debate needs a lot more more than 10 minutes and 30 seconds, but here are a few things that were and weren’t said about the future of Art & Design education…

While Uzma Hasan asked about funding and George the Poet talked about the importance of community arts, Bob and Roberta Smith entered the conversation (at around the 3 minute mark) briefly mentioning the impact of academisation before moving swiftly on to the fact that, under the extremely complicated EBacc and Progress 8 accountability measure, Arts subjects are all in what are known as Bucket 3. This gives them significantly less weighting in the final accountability calculation, thus encouraging schools to enter students for the academic subjects with the double and triple word scores of Buckets 1 and 2. All subjects are created equal, except it seems that some are considerably more equal than those involving the Arts.

Ed Vaguely countered with the usual mis-information about the genourous committement of the Government making a little bit of extra pocket money available for Music and Arts in schools, until Bob and Roberta point out that this was just for optional after-school and Saturday clubs. Given that understandably most children can’t wait to get out of school at the end of the afternoon, it’s only going to be a precious few who benefit from this provision.

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Vaguely then switched the conversation to the Government’s statement about the need for more students to take Science and Technology subjects (All Change Please! continues to wonder what these mysterious ‘Technology’ subjects actually are, and why they don’t include Design & Technology or Information & Communication Technology?), and pretended that doing more of these subjects didn’t mean doing less Arts subjects, despite the fact that for most students it does. He then made the interesting statement that: ‘Everything I talk about is the link between Science and the Arts, because you can’t have successful Science and Technology without Creativity.’ Indeed, that’s very true, and it’s just a pity Messers Morgan and Glibb had their fingers firmly stuck in their ears while he was saying it. Perhaps you need to shout more loudly Ed? And to keep on reminding them about the findings of that recent NSEAD survey?

Bob and Roberta Smith then deftly challenged with what he called the Benedict Cumberbatch syndrome in which the growing concern is that the Arts are becoming the elite preserve of the wealthier middle-classes who can afford to back their children in their studies, mainly in the independent sector. Back in the 1970s (when All Change Please! was at college) studying a practical Arts degree, funded by a Local Authority, provided an education pathway that provided many children from working-class backgrounds with a route to a successful future well-paid career that has since made a significant contribution to the economy. What was it the government were saying about the need to increase social mobility?

At this point Jon Snow joined in the attack by telling Mr Vauguely that: ‘What you say is wonderful, but the problem is you are squeezed to death by the people who surround you.’

Somehow Vaguely managed to decompress himself, draw breath, and reject the idea that Academies are abandoning the Arts, even though that’s exactly what they will need to do if they are minimise the number of students choosing Bucket 3 subjects.

Back to Bob and Roberta who reminded us that Art was about more than just producing future Artists, and used the D word to effectively remind us that without Drawing and Design, in the future the country will fail to make any products to sell to other countries.

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As Ed Vaguely became increasingly vaguer, he repeated his belief that – no, by now we had all guessed he didn’t really believe it himself – he repeated the DfE’s belief that the Arts were not about to fall off a cliff, and there’s nothing wrong with increasing the number taking Science and Technology subjects, except they are and there is.

You won’t believe what Vaguely said next. Well actually you probably will, because let’s be honest we’d all been waiting for him to say it. Yes, that’s right – he crossed his fingers behind his back and tried to get away with the: ‘There are more people taking GCSEs in Art than there were before.’ routine. Yeah – just like David Cameron has never benefited from an offshore tax haven? It’s that classic bit of Df-ingE mis-information that conveniently forgets to explain that the subject entries only increased because the numbers  of students taking equivalent BTEC courses in Art & Design have fallen drastically as they’ve switched to taking GCSEs instead. The much more honest version reads: ‘There are far less people taking examination courses in Art than there were before’.

Teaching of the Arts in schools may or may not be falling of a cliff, but there’s certainly a super-sized black hole in Bucket 3 that’s leaking Arts subjects as fast as you can say Vaisey by name, vaguely by nature.

Meanwhile in other overlooked and left behind news:

A recent report by the House of Lords ‘Overlooked and Left Behind’, has concluded that: ‘Non-academic routes to employment are complex, confusing and incoherent’ and recommends that instead, the final four years of schooling should be redesigned so that more pupils can pass recognised vocational qualifications on a par with A-levels.

Somewhere hidden deep inside Sanctuary House, without bothering to actually read the report, a solitary Df-ing E spokesperson rolled a dice and as a result issued Standard Response No 4 which goes:

“We have introduced a more rigorous curriculum so every child learns the basic skills they need, such as English and maths, so they can go on to fulfill their potential whether they are going into the world of work or continuing their studies.”

Well, that’s all OK then. Problem solved. I don’t know why these Lords bother to waste their time writing these reports?

All Change Please! wonders if the Lords’ approach could perhaps pave the way for the end of all external examinations at the end of KS4, and in doing so end the whole EBacc fiasco. And of course creating new courses for non-academic routes to employment wouldn’t cost anything, because millions have already been spent on their development 10 years ago. Anyone here have a copy of  Tomlinson’s ‘New Diploma’ handy?

Screenshots courtesy of C4.