Art Failure at the MichaelGova School

2s-7258061584_58600806c2_k-2.jpg

All Change Please! was interested to see that The Michaela ‘KNOWLEDGE IS POWER’ Community School was recently advertising for a new post in its Art Department: http://mcsbrent.co.uk/art-teacher-vacancy

Apparently:

“At KS3, pupils are taught the traditional techniques of drawing and painting and Art history. Lessons are ‘teacher-led’ as we believe it is the only way pupils can learn the appropriate skills to an expert level. Teachers show pupils exactly how to use each media in-depth step-by-step using the visualizer. There is no ‘guess work’ at Michaela. Pupils get to practice using the same media over and over again until the technique is mastered and perfected.”

“If you love art and know how to teach drawing, come and visit us at Michaela.  If you are in two minds, it is worth seeing what can be achieved in art when using our teaching methods.”

And it also states:

“We don’t offer lessons in ICT, DT..”

A full account of the Michaela guide to Mastery in Art and Music education can be found here.

But by yet another All Change Please! (Patent Applied For) Amazing Coincidence it seems that the nearby, and entirely fictitious, MichaelGova Community School is also recruiting further teaching staff for its Art Department. Somehow All Change Please! has exclusively managed to obtain a draft of the forthcoming press advertisement:

“At The MichaelGova ‘ABSOLUTE POWER CORRUPTS’ Community School, Art is about painting nice pictures over and over again until they look just like the work of great artists. We know everything about Art, but we don’t know what we like. An unkind visitor once upset some of our children by telling them that Art was about creating challenging new disruptive ideas, taking risks and being spontaneous and expressing oneself. He then spouted some mumbo-jumbo, snake-oil, neuromyth-nonsense that Art involved exploration, improvisation and messy experimentation in situations where there are no correct answers and that guessing and being intuitive were important in the real world. We asked him to leave the building immediately and never darken our doors again.

Pupils who in any way question what or how they are told to draw or paint are immediately isolated from other children and sent for a series of lunchtime re-progamming sessions in the Visualiser.

Meanwhile we take pride in refusing to teach our pupils anything about technology or problem-solving, knowing that they will be completely unprepared for life in the real, modern world. But as they will all become Oxbridge graduates unsuitable for any type of employment except for being a politician or a teacher in schools like ours, that won’t matter at all.

If you are in two minds about MichaelGova, please don’t apply. We only employ single-minded teachers.”

 

Problem still unsolved

19295893399_3ee40fd48c_o.jpgProblem-solving: the process of finding solutions to difficult or complex issues

The recent news that ‘Just 3 per cent of teenagers believe problem solving skills and creativity are essential attributes to have on their CVs’ is of course no more than a reflection of the lack of emphasis and importance placed on them in our education system. And it goes a long way to explaining why so few politicians and administrators seem quite unable to develop policies and procedures that manage to improve the life of the population. Too many students undertake academic degrees, including subjects like science and engineering, having had next to no experience of the processes and approaches involved in coming up with successful new practical and appropriate ways of doing things.

Where children are exposed to problem-solving and creativity in schools, the experience is usually limited to solving closed problems, where there is a single correct right or wrong answer. Such problems are usually technical in nature, rarely focusing on solving individual or social human problems.

Even in design and technology, where a rapidly diminishing number of students are asked to solve design problems, the understanding of problem-solving skills is given disproportionate emphasis to increasingly acquiring knowledge about materials and production technologies. Few children rise to the challenge of resolving multiple conflicting requirements and coming up with truly creative solutions. And while there is good imaginative work in evidence in many departments of art, drama and music, its value and application is restricted to those lessons and defined studio spaces.

Developing students’ problem-solving and creative abilities is not achieved through a series of disparate activities experienced largely out of context. It involves an extended course of study in which increasingly complex, open-ended and challenging problems are tackled in such a way that the learner starts to identify their own strategies and preferred methodologies for tackling different sorts of problems. This includes being able to deal with problems that require:

• a mixture of creative and logical thinking

• dealing with subjective and objective criteria

• testing and evaluating possible solutions using a variety of modelling techniques

• identifying and understanding human needs and desires

• information finding

• planning over multiple time-scales, collaboration and self-management

• effective communication.

Underlying these skills at a more basic level, successful problem-solving requires a desire to improve the way things are, a sense of curiosity, the drive to explore and develop a multiplicity of possible solutions and willingness to learn from failure.

Until our children start to acquire these skills and they come to be acknowledged in schools and universities as being valuable in life and the workplace it is difficult to be optimistic about our future. We no longer require a steady flow of people to administer and oversee the far-flung corners of our long-lost Empire, but instead a stream of creative problem-solvers to construct our brave new post-Brexit world.

 

9040714189_73de0eb509_k.jpg

Image credits: Flickr Sacha Chua